Posts By: Mohawk Council of Kanesatake

Brief History of the Lands

 

imagineNATIVE Film + Media Arts Festival Goes Online for 2020

The imagineNATIVE Film + Media Arts Festival, the world’s largest Indigenous festival showcasing film, video, audio, and digital + interactive media made by Indigenous screen-content creators, returns October 20 – 25, 2020 with a twist – the festival will take place completely online!

Now in its 21st year, imagineNATIVE has moved online due to COVID-19 restrictions, where they will present a dynamic selection of film, visual arts, video games and more from 153 Indigenous artists in 23 languages from 13 countries and 97 Indigenous nations. The Festival will include ten feature films, four short programs, two guest curated programs, and one artist spotlight on Thirza Cuthand.

Throughout the Festival four short programs will be screened that are each named after one of the four colours in the medicine wheel. imagineNATIVE will open the Festival with the shorts program YELLOW on October 20, a program composed of works created by artists from seven different nations. The additional shorts programs include: RED on October 21, six short films that offer stories of connection where land and love reunite to bring hope and resilience; BLACK on October 23, eight visually arresting shorts at the vanguard of Indigenous Cinema; and WHITE on October 24, seven short films that tell stories about family, communities, Indigenous languages, and representation.

imagineNATIVE will honour Lorne Cardinal with the 6th annual August Schellenberg Award of Excellence. The August Schellenberg Award of Excellence was launched in partnership with Joan Karasevich Schellenberg to honour her late husband, the legendary actor August (Augie) Schellenberg, and the spirit of his work. The “Augie” Award will be presented to Lorne Cardinal as part of the imagineNATIVE Awards Presentation on October 25.

With the community as a priority, the 2020 imagineNATIVE Festival will be guided by Indigenous practices of gifting and reciprocity. imagineNATIVE will be ‘gifting from the spirit and for the spirit’ with daily draws for physical and digital giveaways throughout the Festival, highlighting Indigenous artists, goods, and companies.

The 21st Annual imagineNATIVE Festival will close October 25 with the Canadian premiere of Compañía by Bolivian director Miguel Hilari, which provides a deeper understanding of perspectives of home and migration using documentary, experimental, and visual poetry.

Tickets and passes are on sale now at https://festival.imaginenative.org/

17th Annual DTES Heart of the City Festival

Have you ever wanted to look beyond the headlines into the heart of Vancouver’s Downtown Eastside?

The 17th annual Downtown Eastside Heart of the City Festival welcomes you to over 100 events in the city’s most culturally and socially diverse neighbourhood- the place where Vancouver began.

Situated on Coast Salish homelands between Burrard Inlet and the False Creek Flats, Victory Square and Clark Drive, the Downtown Eastside is home to one of Canada’s largest urban Aboriginal reserves, North America’s second largest historical Chinatown, and Canada’s largest and busiest port.

Like communities across the land, residents are coping with a world -wide pandemic, an opioid and housing crisis and legacies of historic displacement and systemic racism. But when gathering places close and people are isolated, they lose their sense of cultural connection and community connection.

This year, more than ever, Downtown Eastside residents and artists seek cultural events, artistic activity, and opportunities to get together. A host of partners and hundreds of artists have come together for this year’s festival, sharing strengths arising from the community’s compelling creativity and resilience, rich diverse traditions, knowledge systems, ancestral languages, cultural roots and stories.

In response to COVID, the festival has been re-imagined, with programming mostly online, some outdoors and a handful of intimate events in theatres or in a park. This year’s festival offers music, stories, poetry, ceremony, cultural exchanges, films, readings, forums, workshops, discussions, art talks, history talks and visual exhibitions.

There are online music events – An evening with blues queen Dalannah Gail Bowen; Spotlight on the East End with Khari Wendell McClelland, Geoff Berner, Hannah Walker, Rup Sidhu, and Shon Wong’s Son of James; DTES Front and Centre Showcase sharing stories and songs by local performers , and East End Blues & All That Jazz bringing music and stories of the historic Black residential community, with gospel and blues artists Tom Pickett and Candus Churchill, and guests Thelma Gibson and Dalannah Gail Bowen.

There are Commemorative events – an online Tribute to the Carnegie Centre’s 40th Anniversary with special guest Libby Davies; a film about the Survivors Totem Pole, carver Skuundaal Bernie Williams and the powerful pole-raising and potlatch witnessing ceremony at Pigeon Park attended by Elders, VIP’s and over 1000 residents; Long-time activist Sid Chow Tan shares videos highlighting direct action in Chinatown (My Art is Activism, Part II).

There are cultural exchanges – Hearts Beat, with the lexwst’l:lem Drum Group, Irish Canadian group Ceol Abú, and musician Muireann Nic Amhlaoibh (online from Ireland). In the Beginning: A Cultural Sharing, storyteller Rosemary Georgeson, Firehall Artistic Producer Donna Spencer and moderator Kim Haxton, are joined by Indigenous elders, knowledge keepers and artists to share stories and history of local Indigenous peoples prior to and during colonization (Firehall Arts Centre and Vancouver Moving Theatre presentation).

There are readings – scenes from we the same, Ruby Slipper Theatre’s new play by Sangeeta Wylie inspired by the true story of a mother’s flight from Vietnam with her six children. A virtual residency with Imagi’Nation Collective, launches Jenifer Reads, a new program hosted by APTN TV personality Jenifer Brousseau (Wild Archeology). She has invited diverse youth to join her in reading and engaging through an Indigenous lens with Anne Frank’s Diary of a Young Girl.

Grounds for Goodness Downtown Eastside: Adventures in Digital Community Art Making is a virtual residency with Toronto-based Jumblies Theatre & Arts, to artfully explore why and how people sometimes do good things towards others. A team of Toronto artists, Vancouver artists and Downtown Eastside participants are creating an interactive online event. The public is invited to online workshops, talks, a gallery and concert.

These are the kinds of activities that bring strength to Downtown Eastside community members: putting everyone’s voice in the circle, nurturing and restoring social bonds, pulling together, healing through culture and standing in their truth.

Outstanding BC First Nations artists honoured with Fulmer Award

Outstanding BC First Nations artists honoured with Fulmer Award

VANCOUVER – The BC Achievement Foundation (BCAF) today announced the six recipients of the Fulmer Award in First Nations Art. The recipients will be celebrated online for their artistic excellence in traditional, contemporary or media art beginning in November.

“It is a delight for all of us at the BC Achievement Foundation to recognize the six 2020 recipients of the Fulmer Award in First Nations Art. Their work both respects deep traditions and shimmers with the new,” said BCAF chair Anne Giardini. “This year’s awardees join eighty artists from the Award’s past fourteen years. Fulmer Award alumni help to ensure British Columbia is a place of innovation and creative success,” she added.

The 2020 recipients, chosen by an independent jury, are:

Cole Speck, Kwakwaka’wakw – Crabtree McLennan Emerging Artist Award
Jaalen Edenshaw, Haida
Lou-ann Neel, Kwakwaka’wakw
Kelly Robinson, Nuxalk/Nuu-chah-nulth
Nathan Wilson, Haisla
Evelyn Vanderhoop, Haida – Award of Distinction

This year’s celebration of the Fulmer Award in First Nations Art includes a series of films showcasing each awardee’s artistic accomplishments. BC Achievement thanks its media partners, CFNR and First Nations Drum for their support of the award program.

Members of the 2020 jury include: Corey Bulpitt, past recipient and Haida artist; Philip Gray, past recipient and Tsimshian artist; and Connie Watts, Associate Director, Aboriginal Programs, Emily Carr University of Art + Design and artist of Nuu-chah-nulth, Gitxsan and Kwakwaka’wakw ancestry. Brenda Crabtree, Director, Aboriginal Programs, Emily Carr University of Art + Design, a member of the Spuzzum Band with both Nlaka’pamux and Sto:lo ancestry, serves as an advisor to the jury.

BC Achievement is an independent foundation established in 2003 to celebrate community service, arts, humanities and enterprise. For information on BC Achievement, visit www.bcachievement.com.

The Fulmer Award in First Nations Art is made possible through the generous support of the Vancouver-based Fulmer Foundation.

Detailed information about the 2020 recipients and a list of past awardees is posted on the foundation’s website at www.bcachievement.com.

Contact:
Cathryn Wilson, Executive Director
BC Achievement Foundation
info@bcachievement.com | 604.261.9777


2020 Fulmer Award in First Nations Art
Awardee Backgrounders

Cole Speck, Kwakwaka’wakw
Campbell River
Crabtree McLennan Emerging Artist Award

Born in 1991, Cole Speck was raised on the ‘Namgis reserve on the island of Alert Bay and has been carving since he was a teenager. Cole comes from a strong cultural and artistic heritage, which is evident in his carving. He is the great grandson of late Chief John Speck of the Tlowitsis, who was the father of the late Henry Speck Sr.

Cole’s work has immense reverence for old traditions, while pushing into contemporary realms. As a young carver, Cole apprenticed under accomplished master carvers Beau Dick and Wayne Alfred and since then, he has been consistently making his mark on the Northwest Coast art scene. Cole has assisted in the making of the Pat Alfred Memorial pole with Beau Dick and in the carving of a pole for a Northwest Coast exhibition in Holland with Rande Cook.

In 2017, Cole performed for the opening of documenta 14 in Athens, Greece where he contextualized Beau Dick’s works in the exhibition through a re-telling of the Undersea Kingdom story. In July of 2017, he participated in the exhibition in Kassel, Germany as Beau Dick’s apprentice. Cole’s work has also been exhibited at NADA Art Fair in New York and at Santander Cultural in Porto Alegre, Brazil in 2018.

Jaalen Edenshaw, Haida
Masset

A member of the Kayaahl ‘Lanaas Eagle Clan of the Haida Nation, Jaalen has always been surrounded by Haida art. At a young age he started studying the discipline of Haida form-line design under his father Guujaaw’s guidance and later he carved with James Hart. He has also spent countless hours in museums studying the old masters. He owes his understanding of the art to these experiences.

Jaalen is known for his carving of monumental cedars. His 35 foot “Gyaluu” pole stands in Old Massett, the 43 foot “Two Brothers Pole” carved with his brother Gwaai stands in Jasper AB, and his 45 foot “Gwaai Haanas Legacy Pole”, in Hlk’ah GawGa. He is currently putting the finishing touches on a 33 foot Haida canoe.

Haida stories and language guide his work. He delves into the old Haida stories before he carves out the narrative. He and his brother co-founded K’alts’ida K’ah (Laughing Crow), a collective to tell Haida stories and promote Haida language through art. They wrote and produced, “Sinxii Ganguu”, dramatizing an old story performed in Haida. He collaborated on several Haida stop motion animations, the latest of which won best music video of 2015 at the ImagiNative film festival and co-wrote “SGaawaay K’uuna” (Edge of the Knife), the award-winning Haida feature film of 2018.

Although Jaalen has pieces in collections and museums around the world, he considers his most important works to be the ones that stay on Haida Gwaii. He feels a great debt to his homeland and has worked to highlight the environmental importance of land and sea and the Haida way of being.

Lou-ann Neel, Kwakwaka’wakw
Victoria

Lou-ann Neel descends from a rich history of artists on both sides of her family. She comes from the Mamalilikulla, Ma’amtagila, and Da’naxda’xw on her mother’s side of the family and ‘Namgis, Kwickwasutaineuk, and Kwagiulth on her father’s side of the family.

Lou-ann has been practicing in Kwakwaka’wakw design for over forty years in various forms – jewelry, textiles and hides, paintings and prints, and vector designing in multiple applications including animation, storybook illustration and 3D printing. One of Lou-ann’s first passions was carving, and she is continuing to practice the techniques she learned through an apprenticeship in wood carving with her brother, Kevin Cranmer.

In addition to her artistic practice, Lou-ann is a community arts’ advocate – always seeking to build solutions that will enable Indigenous artists to balance their respective rights, responsibilities and obligations with new, contemporary expressions of their work. Lou-ann serves as Curator, Indigenous Collections, and Acting Head of Indigenous Collections and Repatriation Department at the Royal BC Museum working closely with BC First Nations communities to address repatriation matters.

Kelly Robinson, Nuxalk/Nuu-chah-nulth
Bella Coola

Kelly Robinson’s roots and family origins are in Bella Coola with descendants from both the Nuxalk and Nuu-chah-nulth Nations. As a child his curiosity in his culture was piqued and Kelly became determined to learn and refine the art — specifically the unique design forms of the Nuxalk.

Under the guidance of his uncle, noted Master carver, Alvin Mack, Kelly developed his own techniques in creation of two and three-dimensional art forms. In 2010 he graduated from the Northwest Coast Jewellery Arts program at the Native Education College in Vancouver. Immediately following graduation, Kelly began an apprenticeship with Haida artist Jim McGuire to continue his understanding of design and the twenty-first century contemporary art market. Soon after, he completed another apprenticeship with renowned Nuu-chah-nulth artist Gordon Dick.

In 2012 Kelly graduated from the Freda Diesing School of Northwest Coast Art. He continued his studies under a mentorship program with master carver Tim Paul, during which time Kelly enlightened himself with Nuu-chah-nulth stories and perfected his mask making abilities in the Nuu-chah-nulth style.

Kelly uses his art to tell stories of the Nuxalk and Nuu-chah-nulth people, their land and culture. He examines stories of the supernatural, potlatch societies, and the land and sea in his artwork. He is currently working on two lineage totem poles that will represent two of four villages within the Nuxalk Nation. “Through the art, I will begin my educational journey in recapturing the culture we once had. It is a very exciting time to be a First Nations artist in Canada.”

Nathan Wilson, Haisla
Terrace

Nathan Wilson is inspired by his Haisla family history which drives him to continue to keep alive a long line of carving traditions. A graduate of the Freda Diesing School of Northwest Coast Art, Nathan extended his skills as a carver, painter and tool maker. The carvings he has worked on since are inspired by events and understanding the natural world we live in. From encounters with grizzly and black bears, mountain goats and whales, to attending feasts and totem pole raising ceremonies, these are all important in finding a deeper meaning to becoming a First Nations Artist.

Nathan was commissioned by Mount Elizabeth Secondary School to carve an eight-foot totem pole, where students could observe, participate and carve onto the pole under Nathan’s supervision at the beginning stages. He has also joined the communities of Kitamaat Village and District of Kitimat to help raise the “Palaa-Gwa-La” pole in the main entrance of another school. This was the first totem pole to be raised for either community in several decades.

Working alongside his mentors Stan Bevan, Ken McNeil and Dempsey Bob, Nathan is an instructor at his alma mater in Terrace. He continues to create masks, sculptures and relief carved panels for various galleries, as well as private commissions with various collectors.

Evelyn Vanderhoop, Haida
Masset
Award of Distinction

Evelyn Vanderhoop comes from a long line of Haida weavers, including her grandmother Selina Peratrovich and her mother, Delores Churchill. She has also studied weaving with Cheryl Samuel.

An accomplished weaver in the Naaxiin (more commonly called Chilkat) tradition, Evelyn studied the origin of this technique by reading journals of the early explorers and their accounts of the first contact with the Haida as well as learning from the stories of her ancestors. She has studied the old robes in museums around the world and learned their complexities. Evelyn has mastered the art of Naaxiin technique where weaving not only moves across horizontally, but vertically as well, creating curves, slopes and circles with multiple braids enclosing the formline shapes.

Parallel careers as a weaver and watercolour artist have marked Evelyn’s success. She studied watercolour painting in Europe, and one of her paintings was chosen by the United States Postal Service as a reference for a stamp to commemorate Native American dance. Evelyn has also been chosen as an artist in residence at the Smithsonian Institution’s National Museum of the American Indian in Washington, D.C.

Exploring Indigenous Career Development at Cannexus21 Virtual Conference

Exploring Indigenous Career Development at Cannexus21 Virtual Conference

Cannexus is Canada’s bilingual Conference on Career Development, promoting the exchange of information and exploring innovative approaches in career counselling and career development. Cannexus21 will be virtual, taking place January 25 & 27 and February 1 & 3. If you provide education, training or employment programs to Indigenous students or clients, you will find much of interest.

Among the 150 education sessions, there are many presentations that focus on working with Indigenous peoples, including:

  • Fostering Positive Indigenous Community Engagement with Purpose with Trina Maher, President & CEO Bridging Concepts
    This session will share Indigenous partnership worldview concepts and practical advice to help agencies engage with Indigenous organizations.
  • Trauma and Resilience: A Career Professional’s Guide with Seanna Quressette, Owner, Creating Intentional Change and Catherine Hajnal, Grief Educator, Life Fundamentals
    Participants will identify what constitutes trauma and learn practices to expand resilience, and foster safety, belonging and possibility for any client.
  • Skills and Leadership Development: Opportunities for Indigenous Youth with Tanya Tulus, Program Advisor, International Experience Canada and Michele Young-Crook, President, National Aboriginal Trust Officers Association
    Discuss activities for Indigenous youth to empower themselves and prepare for an evolving workforce through international experience, including financial literacy.
  • Feeding the Spirit: Indigenous Women, Career and Mental Health with Kathy Offet-Gartner, Counsellor/Associate Professor, Mount Royal University
    This session explores how an Indigenous women’s group feeds the physical, emotional, spiritual, academic and career spirits of attendees.
  • Opening the Path for Indigenous People with Disabilities with Shannahn McInnis, Senior Researcher, CRISPESH and Rose-Anne Gosselin, Training Co-ordinator, First Nations Human Resources Development Commission of Quebec
    Learn from research with 20 First Nations in Quebec about barriers faced by people with disabilities and gain training tools to promote an Indigenized perspective on inclusion.
  • Aboriginal Peoples Employment Program: A Pathway to Reconciliation with Rodney Hester, Manager, Aboriginal Peoples Employment Program, Indigenous Services Canada
    Regarded as a model program, hear how APEP is increasing Aboriginal workforce representation and Indigenous cultural competence within a federal department.

Three incredible keynotes – Future of Work Executive Advisor Zabeen Hirji, Simon Fraser University Professor Kris Magnusson & Olympian Perdita Felicien – have been announced plus the full preliminary program is now available. All sessions will be recorded and available for later viewing for an entire year – so you don’t miss anything and can view them at your convenience. Plus, take advantage of a Virtual Exhibitor Showcase and extensive online networking opportunities at Cannexus.

Attendees gather at a previous Cannexus National Career Development Conference. The annual conference – which is virtual for 2021 – examines career and employment issues, including for First Nations, Métis and Inuit peoples in Canada.

Attendees gather at a previous Cannexus National Career Development Conference. The annual conference – which is virtual for 2021 – examines career and employment issues, including for First Nations, Métis and Inuit peoples in Canada.

Cannexus is presented by CERIC with a broad network of 38 supporting organizations, including the Ontario Federation of Indigenous Friendship Centres and Ontario Native Education Counselling Association. Members of Cannexus supporting organizations as well as groups of 5 or more benefit from a 25% discount on registration. You can also save by registering by the November 12 Early Bird deadline.

For more information and to register for Cannexus, visit https://cannexus.ceric.ca/.

Obituary: Ronald Sparrow won a national precedent protecting Aboriginal fishing rights

‘Ron Sparrow fought for what he believed in — what was just and right’

Politicians and leaders from across the country are mourning the death of the Musqueam gillnetter who took the fight for Indigenous fishing rights to Canada’s highest court, winning a landmark ruling for First Nations.

In 1984, Ronald (Bud) Sparrow was charged by federal Fisheries officials for fishing for chinook in the Canoe Pass area of the Fraser River with a drift net nearly twice the length his licence allowed. Sparrow fought the charge, stating that he was exercising an existing Aboriginal right to fish and that the licence restriction was invalid.

He argued his case for the next six years, first losing in provincial court and then in the B.C. County Court, before winning appeals at both the B.C. Court of Appeal and the Supreme Court of Canada.

The highest court found First Nations take priority in access to B.C.’s salmon, after conservation measures have been taken. The victory established the so-called Sparrow test, which “determines whether a right is existing, and if so, how a government may be justified to infringe upon it,” as the University of B.C.’s Indigenous Foundations resource put it.

The ruling was a pillar court decision for First Nations and an integral component to many other decisions over the past three decades, said Robert Phillips of the First Nations Summit’s political executive.

“He unapologetically exercised and defended his title and rights, setting a precedent for not only First Nations in B.C., but Indigenous peoples around the globe to assert their inherent and unextinguishable rights,” said Grand Chief Stewart Phillip, the president of the Union of B.C. Indian Chiefs.

Carolyn Bennett, the federal minister of Crown-Indigenous relations, said the Sparrow case affirmed Indigenous rights across the country and said his legacy was one of courage.

B.C. Premier John Horgan said he was saddened to learn of Sparrow’s death. “His courage and leadership led to an important, precedent-setting Supreme Court of Canada decision that advanced Indigenous rights,” Horgan said.

Regional Chief Terry Teegee of the Assembly of First Nationssaid the ruling’s importance cannot be overstated and that it ultimately grew into “a more substantial and much-litigated duty to consult.”

“We are grateful and guided by Ron Sparrow’s important legacy that forged a legal pathway in the fight for our rights. As a commercial fisherman himself, he was determined to have Aboriginal fishing rights recognized, affirmed and protected for himself, his culture and his people,” he said.

The Assembly of First Nations supported Sparrow as an intervener during the Supreme Court challenge. AFN National Chief Perry Bellegarde said the loss of Sparrow would be grieved.

“His fight for First Nations rights made a mark and his legacy will live on forever,” Bellegarde said.

Supporting the federal government as interveners were the attorneys general of B.C., Ontario, Quebec, Saskatchewan, Alberta and Newfoundland, as well as 15 different fishing industry groups.

The case was the first major test of Aboriginal rights under Canada’s 1982 Constitution. Jody Wilson-Raybould, sn Independent MP and former minister of justice and attorney general, called it “arguably the seminal Aboriginal rights case in Canadian history.”

Santa Ono, president of UBC, which is on Musqueam traditional territory, called Sparrow a true champion of Indigenous rights and said the Sparrow case was “path-breaking in Canadian jurisprudence.”

The Musqueam band described Sparrow as a quiet, determined and proud member.

“As a skilled and accomplished commercial fisher, he travelled up and down the west coast of B.C. to provide for his family and community,” said a Musqueam statement on his death.

“Bud left our people at Musqueam and Indigenous peoples across Canada with a tremendous legal legacy. We will always be grateful for his quiet determination in fighting for our rights,” said Musqueam Chief Wayne Sparrow.

Just under a decade ago, Sparrow received a National Aboriginal Achievement Award. He told The Vancouver Sun then that his appeal never would have happened without backing from the Musqueam. Of his fight, he said “I wanted to make sure natives could harvest the fish, not just for our generation but all the descendants in the future.”

Sparrow died at his home on the Musqueam reserve in South Vancouver late Monday. He was in his mid seventies. A cause of death was not announced. His service will be limited to family members due to COVID-19 restrictions, according to the First Nations Leadership Council.

Courtesy of Vancouver Sun

UNDER THE NORTHERN SKY Ignoring The Rules Like Playing Russian Roulette

Covid-19 has changed all of us. We have not had a normal life for about six months now. We have all been trying our best to follow the rules from all of the medical experts and governments but it has not been easy. Most of us have not been visiting family and friends, we are keeping our movements to a minimum, shopping more carefully in stores while wearing masks, maintaining a three meter safe distance from others and washing our hands like crazy.

For some time our efforts have proven successful but still many thousands have passed away in Canada and many more thousands have been sick with this virus. Now with the fall approaching and children back to school, the experts are warning us that there may be a huge rise in numbers of cases and deaths. This is an airborne virus that can infect others through microscopic droplets that people release when just talking indoors. So if an asymptomatic person is not wearing a mask in an indoor space with others, then there is a good chance that the contagion will spread to many people.

Due to the fact we are not doing sufficient testing, epidemiologists and virologist are suggesting multiplying the number of cases by 10 or perhaps even 20. This provides us with a more realistic idea of just how many people are infected and although most are centred in highly populated areas, infections are now starting to creep into our northern remote Native communities. The James Bay coast recently reported their first positive case of Covid-19 in Moose Factory. The remote coastal First Nations to the north, including my home community of Attawapiskat FN, have all taken precautions to lock down their communities to prevent the spread of any potential infection. Our northern communities have to stay extra vigilant as any new infectious disease has the possibility of creating many more problems than the rest of the country due to the nature and situation of these remote regions. Over crowded housing, less than adequate health care, insufficient health care resources and rampant poverty is fertile ground for a new infectious disease to cause a widespread health crisis.

Even in the face of these dangers, there are many right wing groups spreading messages on social media that Covid-19 is a hoax, that the government is staging this pandemic and that wearing masks somehow impedes our right and freedoms. If you want to protect those you love and those you care about, do not fall for this propaganda or spread these dangerous rumours because doing so will cost lives in the end.

Many business interests are also focusing on the economy and some of that concern is driving the messaging to people to get back to normal with no restrictions. It is understandable that the people who work in these industries want you to think that you can get back to normal quickly but the reality is not supporting that view.

If we don’t follow the rules to protect ourselves we will be getting sick, making other people sick and there will be people we care for who end up passing away. Over the next few months we will be seeing a huge increase in numbers across the board and that is evident by what is happening in other parts of the world.

Now that we are approaching the cold season and we will be heading indoors more often, I encourage everyone to become more vigilant in wearing masks, practising safe distancing and washing hands. I encourage my family and friends in the north and in every remote First Nation out there to minimize or stop any travel outside their community if they can. Everyone should do their best to not to visit family and friends casually inside their homes or your own home while not wearing a mask. The virus spreads through tiny droplets that can hang around the air inside a room for hours so if someone is visiting without a mask there is always the chance you could end up with Covid-19 if they have the virus. We need to get by the next few months and we will know very well in that time just how bad things are going to progress or if in fact we have better treatments and possibly a vaccine. There are thousands of unsuspecting people walking around with this virus and you are playing Russian roulette if you think you can ignore the rules and all of the efforts everyone has made for months.

Just stay the course and look towards a brighter spring.

www.underthenorthernsky.com

Environmental impact assessments and Indigenous rights should not be sacrificed for the sake of rapid post COVID-19 economic recovery.

As provincial and territorial governments across Canada continue to respond to the COVID-19 public health crisis, businesses and individuals are looking for rapid economic recovery. Major projects – i.e. large, capital-intensive projects such as mines, hydro-electricity and pipelines – are central to the Canadian economy and form a key component of economic revitalization. These projects take place on Indigenous land and must only be developed with Indigenous Nations’ free, prior and informed consent. However, the push for economic recovery is resulting in efforts to fast-track major projects and bypass environmental and socio-economic oversight, in violation of Indigenous rights. This is particularly clear in the area of Environmental Impact Assessment (EIA).

What is Environmental Impact Assessment?

EIA refers to:

“the process of identifying the future consequences of a current or proposed action. The ‘impact’ is the difference between what would happen with the action and what would happen without it,” (IAIA 2009).

EIAs are designed to identify, predict and mitigate the environmental and socio-economic effects of potential projects before they are authorized to proceed. EIAs are absolutely critical for Indigenous communities because it gives them the opportunity to voice their concerns, identify impacts on their lands and communities and shape the conditions under which the project should operate. Indigenous nations have historically been relegated to the sidelines of the EIA process. However, new EIA legislation and processes in Canada are moving toward a more meaningful role for Indigenous nations regarding consideration of Indigenous rights and recognition of Indigenous jurisdiction.

How is COVID-19 impacting EIA?

The Canadian economy plummeted in March of 2020 as a result of business shut-downs related to COVID-19. Rather than accommodating this unprecedented economic pause, jurisdictions responsible for EIA across Canada have tried to keep major projects rolling or find ways to speed them up. This approach has played out in three major ways, each of which have a detrimental impact on Indigenous communities:

1. Business as Usual: During the initial months of COVID-19 lock-down, various jurisdictions allowed regulatory processes for major projects to proceed rapidly, with little regard for Indigenous communities’ capacity to meaningfully participate. Despite the closure of Indigenous community offices, project referrals kept rolling in, regulatory timelines were unaltered and exploration work continued (such as the Ontario government’s decision to allow remote mine claim staking permitting processes, over the protests of Indigenous nations). While the protests of Indigenous communities resulted in some accommodations such as extended timelines, other measures are being put in place to speed up environmental reviews, such as doubling up process steps that usually occur sequentially.

2. Regulatory Rollback: The EIA process results in legally-binding conditions that a company must adhere to in order to construct and operate their project. Some of these conditions include requirements to monitor the project’s impacts and the effectiveness of its mitigation measures. Various Canadian jurisdictions have suspended some of these requirements (as well as others) in order to provide companies with greater operational free-reign. For example, the Alberta government suspended environmental monitoring requirements for oil sands producers, the Ontario government suspended a section of the Environmental Bill of Rights (since reinstated), and BC, Quebec and Saskatchewan granted leeway for non-compliance with environmental laws.

3. Fast-tracking: Perhaps the most worrisome development is an emerging trend to fast-track major projects with little-to-no scrutiny of environmental and social impacts. For example, Quebec’s Bill 61, would allow the government to expedite environmental reviews for 202 projects and make certain provisions of the Environmental Quality Act inapplicable (the bill received substantial backlash and is still under review). In Ontario, Bill 197 (COVID-19 Economic Recovery Act, 2019) introduces substantial amendments to the province’s Environmental Assessment Act with the goal of reducing assessment time for major projects by up to 50%. Among many of the changes introduced by the Bill, automatic assessment for public sector projects will be replaced by a to-be-determined list of projects designated by Cabinet, class EIAs will be replaced with “streamlined” EIAs, and a mechanism enabling the public to request a full project review will be removed. Other examples of this trend include Alberta’s decision to allow open-pit coal mining in the foothills of the Rockies and advocacy from industry groups and think tanks to accelerate infrastructure projects while streamlining EIA processes.

All of these economic responses to COVID-19 put Indigenous peoples and their lands at greater risk. Moreover, these measures go against Canada’s legal duty to consult and accommodate Indignous nations, as well as the United Nations Declaration on the Rights of Indigenous Peoples (fully endorsed by Canada in 2016) which states:

“Indigenous peoples have the right to participate in decision-making in matters which would affect their rights, through representatives chosen by themselves in accordance with their own procedures, as well as to maintain and develop their own Indigenous decision-making institutions” (Article 18, UNDRIP) and

“States shall consult and cooperate in good faith with the indigenous peoples concerned through their own representative institutions in order to obtain their free and informed consent prior to the approval of any project affecting their lands or territories and other resources, particularly in connection with the development, utilization or exploitation of mineral, water or other resources” (Article 32, UNDRIP).

Environmental impact assessments and Indigenous rights should not be sacrificed for the sake of rapid post COVID-19 economic recovery.

Canadians want the Canadian economy to recover as quickly as possible from the effects of the global pandemic. Indigenous nations also want a rapid recovery from COVID-19. Indeed, the pandemic is causing even greater impacts in vulnerable Indigenous communities, particularly given the history of infectious diseases devastating First Nations, Métis, and Inuit communities as a direct result of colonization. Remote communities face particular challenges as they often have less access to medical equipment and financial resources.

However, business as usual, regulatory roll-back and project fast-tracking will hinder rather than help Indigenous communities. Indigenous nations need time and resources to carefully consider proposed projects that have the potential to impact their rights and territories. This may include undertaking community-based research with elders and citizens to identify values, concerns, knowledge and use – a process that needs to be respectful, appropriate and cannot be rushed.

Whether Indigenous nations choose to assess the project independently or collaboratively with the proponent or Crown, they need accurate information to inform their consent-based decisions and any conditions they may have for allowing a project to proceed.

In an interview with The Narwhal about EIAs being conducted during the pandemic, Firelight Director and Regulatory (EIA) Team Lead, Alistair MacDonald, stated:

“It can take two to three years to conduct an environmental assessment. That’s a heavy commitment for an individual nation. Capacity is very limited, very few nations have the funding capacity or human resources that they could devote a single person to a single environmental assessment. This is not a ‘business as usual’ environment we’re living in, especially for First Nations with multiple responsibilities in governance.”

Moreover, fast-tracking the EIA process does not guarantee that major projects will actually be completed faster and is likely to result in greater costs for government and corporations. In fact, most project delays result from social conflict regarding unaddressed environmental and social concerns which, from a business perspective, is not just time lost and money not being made, but also money being spent on heavy legal costs. One study found that almost half of mining projects in Canada between 2008 and 2012 were delayed and of that 81% of these projects were delayed due to “non-technical” issues such as lack of regard for social and environmental concerns thus resulting in court cases (Sestagalli 2017).

Designing Better EIA and Promoting Economic Reconciliation

Now is not the time to start gutting or bypassing EIA processes. The EIA process is far from perfect, but has made considerable advances over the past 50 years. New federal EIA legislation, new EIA legislation in BC and developments elsewhere in Canada (such as the Yukon’s initiative to improve its EIA process) recognize the essential role of Indigenous nations in the EIA, including the importance of early planning and Indigenous co-management. These processes need to be continuously improved upon to ensure that projects are sustainable, result in real benefits to Indigenous communities and avoid impacts to the environment and Indigenous rights.

One of the most innovative aspects of new Canadian EIA legislation is the ability of Indigenous nations to drive some or all of the process. The Impact Assessment Act, for example, includes mechanisms for delegating some of the impact assessment, or even substituting the entire process, to Indigenous jurisdictions. Indigenous nations are undertaking a greater role in preparing their own studies, writing up reports and co-managing the process. Despite fears raised by some, the meaningful inclusion of Indigenous nations in the EIA process is likely to speed up, rather than slow down project approval and construction. When Indigenous issues and concerns are adequately and appropriately dealt with from the earliest opportunity, proponents will avoid costly and lengthy mid-EIA battles and project design changes, as well as post-EIA legal challenges.

Economic recovery should not be driven by a focus on developing all major projects as quickly as possible, but by a focus on developing the right projects with a view to the future – particularly, those projects that promote sustainability and economic reconciliation with Indigenous nations. There are many examples of “shovel-worthy” projects that could benefit the environment and Indigenous communities, such as orphan well clean-up, Indigenous-led low carbon energy development, infrastructure development in Indigenous communities, and natural infrastructure projects. Whatever the project, it should be developed in partnership with the Indigenous nation on whose land it is situated. Additionally, Indigenous nations should take a leadership role in assessing and approving major projects that occur on their territories. Finally, Indigenous nations should take on a much more active project oversight role through mechanisms such as Indigenous guardian programs.

By developing the right projects, promoting true Indigenous partnership, enhancing Indigenous co-management, and supporting Indigenous leadership and oversight during the EIA process, Canada could seize this moment in history to shape a healthy, prosperous and just future together with Indigenous nations.


What Indigenous Communities Can Do

The First Nations Major Projects Coalition developed a Major Projects Assessment Standard (MPAS) that outlines Indigenous requirements for EIA of major projects. The MPAS provides 9 principles that must be adhered to during a major project assessment, including:

1. First Nations Rights will be respected, maintained, and promoted.

2. First Nations will be fully engaged in assessment and decision-making for major projects, integrating their laws, norms and values.

3. First Nations stewardship and governance rights and responsibilities will be respected and adhered to throughout the major project life cycle.

4. Ecological values and services will be maintained and if necessary, restored.

5. Impacts to Indigenous culture, socio-economic conditions, health, rights, title and traditional use will be properly assessed and managed to the satisfaction of the affected First Nations.

6. First Nations will have access to adequate resources, information, and time in order to inform their engagement and decision-making processes.

7. The major project assessment scope and process will adhere to agreed upon high quality practices and reflect First Nations values.

8. All projects will be assessed using a focus on total cumulative effects loading and best practice of cumulative effects assessment.

9. Adequate information will be provided to inform consent decisions made through First Nations’ Worldviews.


If Indigenous communities are experiencing regulatory rollback or fast-tracking there are a few things they can do which include:

  • Directly contact investors and finance institutions to inform them of the risks the project creates through a fast-tracked process;
  • Refer government and industry to the recent Moody’s Investor Services report titled Focus on Indigenous Rights Increasingly Vital for Project Execution;
  • Talk to legal counsel and/or write a letter flagging the legal risk of bypassing meaningful engagement and/or consultation;
  • Document all communication, concerns, and disputes on paper;
  • Engage with other Indigenous groups involved in the same process and seek multi-nation unity in voicing their concerns;
  • Seek support from the First Nations Major Projects Coalition’s Environmental Stewardship Technical Team which can provide further advice;
  • Contact the Firelight Group for further advice and consultation.

Canada’s 100th National Forest Week: Forestry helps grow the community

Guy helps to ensure that forests grow back healthy
after sustainable harvesting.

For the 100th anniversary of Canada’s National Forest Week, Project Learning Tree Canada (PLT Canada) wants to highlight Indigenous professionals in the sector to inspire more young people to go into the forest.

“Indigenous Peoples are Canada’s original forest and conservation professionals.

They shape every facet of the sector, creating even more opportunity for their communities and for the next generation of leaders,” said Paul Robitaille, Director of Indigenous and Youth Relations, PLT Canada.

Guy Wright, a member of the K’ómoks First Nation, helps ensure sustainable harvesting so forests grow back healthily. K’ómoks First Nation Forestry uses sustainable forest management to create more economic opportunities for their community.

“I pride myself in getting the best return for our trees, which are renewable assets. Our forestry work supports education and all sorts of other important things for the K’ómoks First Nation,” said Wright.

Now a natural resource manager, Wright first became interested in forestry when he worked for KDC Forestry Consulting. His supervisor convinced him to join the University of British Columbia’s Faculty of Forestry, and then he got into forest engineering.

“Planning roads and boundaries was like a puzzle. You need to put the pieces together and make it work. I was hooked!” he said.

The K’ómoks First Nation is certified to the Sustainable Forestry Initiative (SFI) Small-Scale Forest Management Module for Indigenous Peoples, Families and Communities. Companies that are SFI certified are committed to responsible forestry practices, protecting water quality, biodiversity, wildlife habitat and species at risk.

Through PLT Canada’s Green Jobs wage matching program, the K’ómoks First Nation’s Guardian Program hired a young person from their community this summer. The Guardian Program protects their lands and waters with a traditional decision-making approach.

The K’ómoks First Nation also accessed PLT Canada’s Green Skills Training Fund for first aid and forestry equipment training. The fund provides flexibility for Indigenous communities to design and deliver forest-focused training opportunities. It is part of PLT Canada’s evolving suite of programs and services to better support youth’s Green Job experiences. Other supports include pre-employment skills courses, mental health services, mentorship and financial supports, like an equipment subsidy.

PLT Canada works closely with First Nations and non-profit partners to tailor its environmental education and employment programs to meet local needs and co-create positive change.

“I want to help keep growing my First Nation’s businesses so our people can have even more opportunities,” said Wright.

Wright was profiled in PLT Canada’s “A Guide to Green Jobs in Canada: Voices of Indigenous Professionals,” which is available in English and French and has been translated into Anishinaabemowen and Plains Cree. The guide showcases forest and conservation role models to inspire Indigenous youth to join the exciting sector.

PLT Canada has placed more than 500 Indigenous youth from over 80 different Nations into high quality work experiences—and many of them found placements in their own communities. First Nations, First Nations businesses and community-serving non-profits are all eligible to receive 50% wage matching. Youth and employers can learn more at pltcanada.org!

Indigenous Youth Explore the Forest and Conservation Sector Through Green Jobs Program

Have you ever wondered about a day in the life of forester? A biologist? A bird bander?

About 130 Indigenous youth across Canada are learning about these green jobs virtually.

Project Learning Tree Canada (PLT Canada) is hosting three “Green Jobs: A Day in the Life” webinars for the Outland Youth Employment Program (OYEP). OYEP is a national network of land-based education, training and work opportunities for Indigenous high school students. This year, they couldn’t visit job sites because of COVID-19.

So, PLT Canada brought the job sites to them.

Employers filmed typical days on the job, which PLT Canada edited into short, fun clips. OYEP camps tune in to watch the videos, meet the professionals behind them and learn more about Green Jobs. 

“[This] is a great idea and will encourage many,” said Catherine Langille, OYEP crew leader in training. “I am happy to be involved with the rangers, and with PLT Canada. As a team, we are glad that we got the opportunity to ask questions over the Zoom call!”

PLT Canada, the Sustainable Forestry Initiative (SFI) and OYEP signed a memorandum of understanding in 2019 to develop more services to meaningfully support Indigenous youth in their education and careers. Through PLT Canada’s Green Jobs program, OYEP has grown from three to six camps, employing over 100 Indigenous youth every summer. 

“Helping youth discover their passions and how those can lead to a career can truly be life changing, and PLT Canada has been instrumental in supporting these opportunities,” said Hamish Black, OYEP Coordinator West.

PLT Canada, an initiative of SFI, works closely with First Nations and non-profit partners like OYEP to tailor its environmental education and employment programs to meet local needs and co-create positive change.

With communities’ feedback, PLT Canada has developed an evolving suite of programs and services to better support youth’s Green Job experiences. This includes pre-employment skills courses, mental health services, mentorship and financial supports, like an equipment subsidy and the Green Skills Training Fund, which provides flexibility for Indigenous communities to design and deliver forest-focused training opportunities.

Langille, who is from Seine River First Nation, has taken advantage of many of PLT Canada’s programs: she was hired into a Green Job, received a scholarship to attend a conference, and participated in the mentorship program.

Langille said her mentor has made her more aware of the opportunities awaiting her in the forest and conservation sector.

“Before meeting with my mentor, my ideas were slightly unclear,” she said. “I am so happy to be a part of this. The knowledge I have gained will last me a lifetime, and so will the connection with my mentor!”

PLT Canada also published “A Guide to Green Jobs in Canada: Voices of Indigenous Professionals” to showcase inspiring leaders and role models for Indigenous youth. The Guide is available in English and French and has been translated into Anishinaabemowen and Plains Cree.

“Indigenous Peoples are Canada’s original forest and conservation professionals. They shape every facet of the sector, creating even more opportunity for their communities and for the next generation of leaders,” said Paul Robitaille, Senior Manager, Indigenous and Youth Relations, PLT Canada. “We hope to inspire even more young people to find a place for themselves in the forest with their stories.”

PLT Canada has placed more than 500 Indigenous youth from over 80 different Nations into  high quality work experiences—many of whom found placements in their own communities. First Nations, First Nations businesses and community-serving non-profits are all eligible to receive 50% wage matching. Youth and employers can learn more at pltcanada.org!

Screen grab from one of PLT Canada’s “A Day in the Life” videos created for OYEP. Pictured is Laura Trout, a Professional Biologist with West Fraser. Laura works alongside local stakeholders and interest groups and has been a part of major fish habitat restoration programs and collaborations in Alberta since 2014.