Posts By: Deakin College

Soft skills and hard skills: What’s the difference?

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If you want to take your career to the next level, you’ll need to showcase your development in two key skill areas: hard and soft skills. A hard skill is essentially your ability to carry out a specific task, while a soft skill is the way you perform that task within a workplace setting.

In the past, employers had a tendency to focus on hard skills, but in today’s modern workplace, they are increasingly seeking soft skills as a differentiator. In fact, soft skill-intensive occupations will account for around two-thirds of all jobs in Australia by 2030, Deloitte reports.

So what’s the difference between hard and soft skills, and how do you demonstrate you have both to employers?

Hard and soft skills: The difference

Hard skills are easy to quantify – they are the technical knowledge you learn either in the classroom or on the job, and you prove them through certifications, degrees or other qualifications. Soft skills, on the other hand, are a bit more subjective – you can’t show a potential employer you scored an A in teamwork, for example. Instead, you have to show you’ve developed these interpersonal skills through offering instances of where you’ve used teamwork in a particular setting.

In today’s workforce where technology and automation predominate, it’s easy to fall into the trap of thinking hard skills are all you need, that they are the key differentiator that will help get you a job or your next promotion. However, while hard skills are certainly important, in a tech-dominated world it’s your soft skills that are really going to make the difference. After all, while machines can carry out a lot of tasks that were previously only performed by humans, they can’t practice emotion or empathy – this remains the preserve of humans.

Now let’s take a look at some examples of hard and soft skills.

Examples of hard and soft skills

LinkedIn has compiled a list of the most in-demand hard and soft skills in 2019. When it comes to hard skills, predictably, the majority are technology-based, however languages and marketing also feature highly.

The top 10 are as follows:

  1. Cloud Computing.
  2. Artificial Intelligence.
  3. Analytical Reasoning.
  4. People Management.
  5. UX Design.
  6. Mobile Application Development.
  7. Video Production.
  8. Sales Leadership.
  9. Translation.
  10. Audio Production.

When it comes to soft skills, creativity tops LinkedIn’s list, followed by persuasion, collaboration, adaptability and time management. Creativity and adaptability clearly complement many of the harder skills outlined above. With technology changing at a faster pace than ever, organisations need people who can think innovatively and adapt to new circumstances in order to survive.

Other examples of soft skills include:

  • Communication: The effective sharing of ideas, perspectives and information between parties inside and outside the business.
  • Critical thinking: The ability to analyse situations and understand the implications of a problem to find solutions.
  • Global citizenship: Being aware and cognisant of your place in a culturally and economically connected world.
  • Innovation: The ability to conceptualise new or improved ideas, processes and ways of doing things.
  • Problem solving: Defining problems, finding potential solutions, and evaluating each one’s impact to choose the one that will work best.
  • Professional ethics: Understanding the ethical expectations of professionals and organisations in the modern business environment.
  • Self-management: Taking responsibility, working independently, managing your own career, planning and pursuing opportunities, and reflecting on performance.
  • Teamwork: With many projects in today’s work environment needing input from multiple people, the ability to work effectively in a team is a skill many organisations need their employees to have.

So those are some of the most common hard and soft skills employers look for, but how do you acquire them?

How do you develop hard and soft skills?

As we said before, hard skills are often developed in a classroom setting. If you want to learn about social media marketing, for example, you can take an online course in it. It’s also possible to pick up hard skills in the workplace, but this will still generally require some sort of formal training.

Meanwhile, soft skills are a lot more intangible – you’ll normally develop them through experiences in everyday life or on the job, and they can’t be taught in quite the same way as technical knowledge, although coaching and mentoring certainly helps.

To pick up soft skills, employees need to be self-reflective. They must look at different situations at work and see how they could have handled it differently, either through communicating in another way, organising a task differently or thinking about something in a more innovative way. It’s also helpful to look at how other people (particularly managers) handle certain situations. If you reflect on your own and other peoples’ interactions in the workplace regularly, you’ll eventually build up a bank of different soft skills.

But without formal qualifications, how do you prove that you possess these soft skills to employers during the interview process?

How to demonstrate you have hard and soft skills

Even with hard skills, simply saying you have a degree in X isn’t enough. In the early 1980s, only 5 per cent of the Australian working population had a bachelors degree or above. Now, according to Deloitte, this figure stands at 25 per cent and rising. It’s therefore likely that other candidates in the hiring pool have exactly the same degree as you.

Instead, you need to talk to potential employers about your experiences using that technical knowledge in specific real-world scenarios. For example, how has an instance where you used your technical knowledge helped further the success or revenue of the business?

Soft skills are also now essential in getting your next job or promotion, especially if you’re going for a leadership or managerial role. But how do you prove you have these types of skills?

Look no further than Deakin’s professional practice credentials. These are university-level micro-credentials that provide an authoritative and third-party assessment of your capabilities in a range of areas, including employability and soft skills, as well as leadership proficiencies and even technical knowledge.

Find out more about our credentials here or contact a member of the team today to find out how you can take your career to the next level by showing you’ve got the soft skills they need.

More UBC researchers receive federal funding to study COVID-19

Credit: Martin Sanchez/Unsplash

Five additional scientists awarded $2.3 million for research on novel coronavirus

Five research teams at the University of British Columbia are collectively receiving $2.3 million in federal funding for research to help tackle the COVID-19 outbreak.

The teams, led by UBC researchers Horacio Bach, Artem Cherkasov, Eric Jan, Jeffrey Joy and Dr. James Russell, are working on developing and implementing measures to rapidly detect, neutralize, manage, and reduce the transmission of COVID-19.

They join research teams led by Dr. Richard Lester, Dr. Srinivas Murthy, Natalie Prystajecky and Dr. Mel Krajden, and Yue Qian, who collectively received $2.8 million from the federal government for their research on COVID-19 announced March 6—bringing the total federal funding for UBC researchers working on COVID-19 to $5.1 million.

Countries around the world, including Canada, are working to contain the current outbreak of COVID-19, which has claimed the lives of more than 14,500 people worldwide, according to the March 23 update from the World Health Organization.

“We are very grateful for this additional investment through the federal government’s emergency research funding,” says Gail Murphy, vice-president, research and innovation at UBC. “This provides researchers at UBC and across the country with resources to gain critical insights into COVID-19 and help to develop treatments and prevent its spread.”

Testing antibodies to block COVID-19

Horacio Bach, adjunct professor in the division of infectious diseases in the UBC faculty of medicine, is principal investigator of a team receiving $395,600. His team will be developing antibodies to neutralize and block the entrance of the virus into cells, and testing the efficacy of these antibodies in mice.

“Currently, there is no effective treatment or vaccine to control the virus, which in severe cases can cause respiratory failure and death,” says Bach, who is also the manager of the antibody engineering facility within the Immunity and Infectious Research Centre at Vancouver Coastal Health Research Institute. “We are hopeful that our research will lead to a treatment for patients and will help prevent transmission of the virus that causes COVID-19.”

Using ‘deep docking’ to rapidly identify anti-viral drug molecules

A team led by Artem Cherkasov—professor in the department of urologic sciences in the UBC faculty of medicine and senior scientist at the Vancouver Prostate Centre—is receiving $999,000.

Using “deep docking”—a virtual screening protocol enabled by artificial intelligence—the research team is applying an algorithm to search chemical space to identify compounds that could potentially inhibit the main enzyme critical to helping the SARS-CoV-2 virus to survive. SARS-CoV-2 is the term for the virus that causes COVID-19 disease.

“Deep docking allows our team to rapidly identify small anti-viral drug molecules in an extremely condensed timeframe,” he explains. “In fact, our first application of the algorithm this month enabled the screening of 1.3 billion commercially available compounds against the novel coronavirus virus in one week—a process that would have taken three years using conventional methods.”

Preparing for future emerging coronavirus outbreaks

A team led by Eric Jan, professor in the department of biochemistry and molecular biology with Chris Overall, professor in the Centre for Blood Research in the UBC faculty of medicine, is receiving $331,212.

The research team is working to identify protein targets of SARS and MERS coronavirus proteases. By engineering “decoy protein sequences,” they are hoping to block the ability of SARS and MERS coronaviruses to function, thereby inhibiting infection.

“Currently, the pathogenic mechanisms that lead to COVID-19 disease are not well understood,” says Jan. “We are hopeful that uncovering the proteins that are targeted by these coronaviruses will provide insights into the pathogenic mechanisms that lead to COVID-19 disease, which will hopefully help us prepare for future emerging coronavirus outbreaks as well.”

Studying the genomic evolution of the novel coronavirus

A team led by Jeffrey Joy, assistant professor in the UBC department of medicine, is receiving $315,000 to study the genomic evolution of SARS-CoV-2.

The research team will study the available SARS-COV-2 genomes and compare them with the genomes of other coronaviruses to determine common features and evaluate patterns of viral spread.

The team, which is collaborating with researchers at the Chinese Centre for Disease Control as well as other Canadian researchers, hope their research will help focus the response, control and elimination of the current, and future, coronavirus outbreaks.

“We are grateful to the federal government for this emergency funding, which is enabling researchers at UBC and across Canada to help find solutions to this urgent crisis,” says Joy, who is also a senior research scientist at the BC Centre for Excellence in HIV/AIDS.

Repurposing blood-pressure and diabetes drugs for COVID-19

Dr. James Russell, professor in the UBC department of medicine, is receiving $255,970. His team is studying the safety and effectiveness of using a class of drugs, called ARBs, commonly prescribed to treat high blood pressure and diabetes, to improve outcomes for patients with COVID-19. Examples of ARBs include losartan, irbesartan, candesartan, telmisartan, valsartan, eprosartan, and alzilsartan.

Previous research has shown that these drugs can prevent lung injury in models of influenza pneumonia. Russell and his team hypothesize that ARBs could work for patients with COVID-19 as well because influenza and coronavirus bind to the same cell receptor in the lung.

The researchers will be evaluating these drugs in a study of 497 hospitalized adult patients who are or are not already on ARBs.

“We hope that we can further increase understanding of whether a class of drugs very commonly used for cardiovascular disease and diabetes can actually help Canadians and patients around the world, get better outcomes from COVID-19,” says Russell, who is also principal investigator at the Centre for Heart Lung Innovation (HLI) at St. Paul’s Hospital.

Russell also hopes his team’s research will uncover answers as to why COVID-19 seems to critically affect elderly people and why heart disease seems to be a significant risk factor for dying from COVID-19.

Data will be shared openly to inform the global research response

The federal government is providing the funding through the Canadian Institutes of Health Research (CIHR), the Natural Sciences and Engineering Research Council of Canada, the Social Sciences and Humanities Research Council, the Canada Research Coordinating Committee through the New Frontiers in Research Fund, the International Development Research Centre, and Genome Canada.

The funding will support the researchers’ work over the next two years. Research findings and data produced as a result of the funding will be shared rapidly and openly (in line with the joint statement on sharing research data and findings relevant to the novel coronavirus outbreak) to inform the global public health response and to help save lives.

New Exhibits at the Northern Lakes College Native Cultural Arts Museum Promote Understanding, Healing, and Reconciliation


“Forgiveness, apologies, actions, unity, change, and healing are all components of reconciliation,” explains Sam (Carl) Willier, an alumni of the Northern Lakes College Academic Upgrading program. “We chose Indigenous exhibits to dedicate healing towards the process of reconciliation in Canada.” Sam is one of five summer students creating new exhibits at the Native Cultural Arts Museum at Northern Lakes College. Over the summer, the students were given an open-ended objective to create Indigenous exhibits using artefacts in the museum collection.

They were free to choose the number of exhibits they would create, as well as the theme. After some discussion and a survey of the artefacts in the collection, they determined they would create five exhibits celebrating aspects of Indigenous culture, with a focus on the ingenuity, creativeness, and playfulness of the culture.

The students kept top of mind the overarching umbrella of the Truth and Reconciliation Commission (TRC) of Canada’s 94 Calls to Action as they created the exhibits. “Reconciliation still has a very long way to go, but there is a movement that has been started and it will take everyone towards reconciliation,” states Sam, 24, who is pursuing his Bachelor of Education degree at the University of Alberta. The students felt that the exhibits’ celebration of culture and tradition could help that movement.

The Indigenous Children’s exhibit contains a dreamcatcher, baby moccasins, cradleboard, and medicine pouch. As explained by a summer student who grew up hearing stories in the oral tradition, “My parents told me the traditional stories as I was growing up. The Spider Lady was a spiritual protector, spinning her web of protection. As her children grew and dispersed, she taught the mothers and grandmothers how to weave their own web to protect their children. That is where the dreamcatcher originates.”.

Two light-hearted exhibits demonstrate play and transportation. Traditional Indigenous Games includes a sampling of games involving chance and skill. The Transportation exhibit includes two saddles made of bone and wood, sewn together with sinew. Tamara Ferguson, 18, graduated from E.W. Pratt in June, and intends to pursue a Bachelor of Arts with a focus on Psychology. Of the children’s, games, and transportation exhibits, she explains, “We wanted to portray Indigenous people in real life.

The stereotypes include the stoic, fierce, warrior. However, the history is not all serious, and these lighter exhibits humanize that history. Lacrosse games could involve up to 600 people per side, as the games were often played tribe versus tribe.

”The Hereditary versus Electoral exhibit looks at the modern electoral system versus the traditional hereditary system. Explains Bobbi-De Lastiwka, a current Academic Upgrading student at NLC, “Until the Indian Act of 1876 forced a European model of elected leadership, Indigenous peoples had a traditional system of hereditary chiefs.” To this day, some First Nations communities have an elected chief, whose role is primarily governance, along with a hereditary chief, who holds a significant position of influence and responsibility for ensuring the overall well-being of the community.

The exhibit also includes samples of traditional versus modern tobacco. Explains Virginia Gold, a graduate of Mount Royal University with a degree in Geology and a minor in History, “Traditionally, wild-growing tobacco was collected, dried, and used in ceremony.

Today, this is often replaced by commercial tobacco.”The final exhibit focuses on healing and reconciliation. The jingle dress, worn during a healing dance often performed at powwow ceremonies, takes pride of place. Healing herbs such as sweet grass, sage, cedar, and tobacco, which are utilized in various ceremonies, complete the display. Complementing the students’ healing and reconciliation exhibit is the artistic collage to honour the missing and murdered Indigenous women and girls of Canada.

Created by a former summer student who wishes to remain anonymous, the collage includes hundreds of tiny photos of the missing and murdered. Concludes Sam, “I feel my role is to educate people on the TRC, the 94 Calls to Action, and what is means to reconcile. It means a lot to have the opportunity to educate people through this work at the Museum. As a teacher, I will be able to contribute more to the process of reconciliation.

The first step is creating awareness and understanding.” The Native Cultural Arts Museum, which is located at the Grouard Campus, was established in 1976. Recognized by the Alberta Museums Association, the Museum’s artefact collection celebrates various aspects of Indigenous cultures, with a special focus on Métis peoples and the Woodland Cree of northern Alberta.

The Museum’s historical and contemporary collections serve to educate the public by depicting Indigenous lifestyles through exhibits of art, music, hunting, regalia, clothing, and more. The Native Cultural Arts Museum is owned and operated by Northern Lakes College with additional support and funding from the Alberta Museums Association and Big Lakes County.

The Delgamuukw decision: Putting the Wet’suwet’en conflict in perspective

(In a photo that may come to define the present conflict, Coastal GasLink employees dismantle a blockade on Wet’suwet’en territory as part of an RCMP raid on the camps. Images like this one spawned solidarity blockades across the country. Photo: Twitter)

Wet’suwet’en Hereditary Chief Satsan sat around the fire at a blockade at Sam Green Creek on the Babine River in the 1980s. He’d just returned to his community of Hagwilget Village in 1975 after attending a residential school and spending a couple years hitchhiking across the country.

Satsan dove head first into the struggle for First Nations land and human rights, a 150-year-old struggle going nonstop since the first fur traders and Christian missionaries arrived in lands the Crown would later claim as northern British Columbia.

Around the fire at that blockade, he remembers getting a vote of confidence from the Elders. They supported everything being done in defense of First Nations title, land rights, and jurisdiction.

“When you’re out there traveling, we’re with you,” the Elders said. “We see what’s going on. We see where you’re going and we do that to protect you.”

This struggle became “more urgent” in the ‘70s because of flooding resulting from the Nechako reservoir as well as the Kemano I dam. This was a hydroelectric megaproject established by Alcan and the B.C. government in the ‘50s to power an aluminum smelting facility in Kitimat. It impacted southern Wet’suwet’en territories and also flooded the lands of the Cheslatta Carrier Nation, destroy- ing homes, sacred burial grounds, and culturally important archaeological sites.

Satsan and others opposed the proposed Kemano II dam, which they said would have flooded and destroyed more traditional lands. The B.C. forest service was starting to clear-cut as well. At that time, says Satsan, “our people were being charged for illegally fishing in our own fishing sites in our rivers, so we started defending those and winning those cases and started to get busy to exercise our rights on our territories and to protect our lands.” They began considering ways they could fight back and defend their rights. They knew the courts were always there as a last resort.

“We started looking at all the different avenues that were available to deal with it, and initially it was blockades and civil disobedience on the land to protect it and we did that through the mid-to-late ‘70s into the ‘80s.”

In the 1970s, the elected band council asked him to become the Hagwilget band manager.

“They brought me in and said that they needed my help on this whole issue. So even though I was hired as the band manager, I got involved with the chiefs on what was known as the ‘land question’ at the time.”

But Satsan became much more than the band manager.

He became the speaker on behalf of the Gitxsan and Wet’suwet’en nations throughout the then-unprecedented legal action now commonly referred to as the Delgamuukw Supreme Court of Canada decision.

“Both the Gitxsan and the Wet’suwet’en hereditary chiefs agreed there needed to be just one voice. We needed to be really focused and we needed to be tight internally, so it was decided that there would be one speaker and that I was the speaker for both the Gitxsan and the Wet’su- wet’en, on one hand. On the other hand, I was also part of the team that put the case together and brought it forward.”

Satsan went to law school and studied Western law. He became one of the main strategists and helped devise the legal argument that earned a positive decision for Wet’suwet’en and Gitxsan from Canada’s highest court in 1997 after a 1991 defeat in B.C.

Satsan is the hereditary wing-chief title for Wet’su- wet’en Kayex (Birchbark) House of the Gilseyhu (Big Frog) Clan. But Satsan – whose English name is Herb George – prefers to be identified as “just one of the chiefs.”

Despite that humility, he’s an encyclopedia of Aboriginal constitutional law who speaks eloquently about any court case you can name. He represented B.C. for two terms at the Assembly of First Nations (AFN) and now works with the Centre for First Nations Governance, whose predecessor organization he also founded.

He spoke with APTN News after a weekend of long talks in Smithers, B.C. resulted in a “draft arrangement” between the feds, the province, and Wet’suwet’en hereditary chiefs on rights and Aboriginal title.

“This arrangement for the Wet’suwet’en will breathe life into the Delgamuukw-Gisday’wa decision so that future generations do not have to face conflicts like the one they face today,” said
a joint statement from the hereditary chiefs, the federal government, and British Columbia.

Satsan wasn’t present for those talks. He, like many others, hasn’t seen the draft agreement.

The chiefs said they plan to bring it before their people for ratification in the Feast Hall, the central precolonial Wet’suwet’en governance institution. Minister of Crown-Indigenous Relations Carolyn Bennett and her provincial counterpart Scott Fraser agreed to return to sign the draft if it’s ratified.

Forty-five years after the Alcan dam resistance, more civil disobedience and another blockade – this time over a pipeline – forced the government to the table. The Coastal GasLink pipeline would carry natural gas from a hydraulic fracturing facility from Dawson Creek to a liquification facility in Kitimat.

The Wet’suwet’en pipeline resistance spawned solidarity demonstrations across the country. Now the blockades aren’t only happening on Babine River or logging roads. They halted passenger and freight train travel through one of Canada’s busiest industrial corridors. The country-wide movement forced the Trudeau administration into crisis management mode and ignited vigorous debate on Parliament Hill.

For Satsan – and others involved in the court case – all of this could have been avoided if the Crown took the Supreme Court’s advice and sat down to negotiate in good faith after Delgamuukw.

Delgamuukw-Gisday’wa in context

Satsan answers questions about Delgamuukw-Gis- day’wa – as he insists we call it – by saying “first of all, when you’re talking about the case, you need to put it in really clear perspective.”

Delgamuukw (Earl Muldoe) was a claimant for the Gitxsan, but he sued on behalf of his House and the nation. Gisday’wa (Alfred Joseph) was a prominent Wet’suwet’en claimant.

Out of those involved, few had a better perspective than Gitxsan Hereditary Chief Yagalahl of Spookwx House. She was a court monitor, liaison, and reporter throughout the case. She sat through all 374 court days that were spread out over four years.

She was present at the recent Smithers meetings too. She says she was “satisfied” with the draft arrangement, but remains tight-lipped until the nation can have a Feast to discuss it.

In her seventies now, she listened to her chiefs and Elders tell their sacred oral histories in court 20 years ago. Satsan refers to these histories as a “sacred history box” that many were afraid to open for a court they considered foreign and colonial.

Now Yagalahl tells stories like an Elder herself. She talks with fervid, emphatic enthusiasm that the written word fails to capture.

“Let me tell you, if you come to my house and you sit with me and have tea – I’m telling you – you get an earful. I don’t stop. I make a short story long,” she says, laughing, after telling one of those long stories.

She jokes but her message is strong. She served as elected chief of Hagwilget – which is a mixed Gitxsan and Wet’suwet’en community – from
1994 to 2019. She was the only elected chief who rejected the Coastal GasLink pipeline project. She has no qualms about speaking out.
When you tell the truth, you aren’t afraid of anything, she says. But that jumps ahead. Like Satsan, Yagalahl places Delgamuukw-Gisday’wa within the context of an ongoing anticolonial struggle probably best described as an intergenerational land defense.

“Back in ‘59 they destroyed our fisheries here in Hagwilget,” she says. “The rock that they blasted out of a canyon destroyed our fisheries, so it took me all those years to get compensated for it.”

In 1959, the federal Department of Fisheries dynamited large boulders on the Bulkley River next to Hagwilget.

Yagalahl calls Hagwilget a village because it existed well before contact. But, she admits, it’s technically a reserve.

A rock slide exactly a century ago placed those boulders there. They obstructed the river in a way that made salmon easily accessible. When the feds blasted the rocks away it left Hagwilget without fish for 50 years. Yagalahl, known as Dora Wilson in English, was the elected chief in 2009 when Ottawa agreed to compensate them $21.5-million for that.

Floods, destruction of fisheries, and clear-cutting
were recent events for Yagalahl and Satsan. Roughly a century earlier in 1871, B.C. entered Confederation. In the same year, government made it illegal for First Nations to fish commercially. A smallpox epidemic hit First Nations communities in B.C. a year later and their right to vote in B.C. elections was simultaneously withdrawn.

In 1876, four years later, the Indian Act was passed.

The Act prohibited “Indians” from assembling in 1880, made the Feast Hall (potlatch) illegal in 1884, and established the Kuper Island, Kam- loops, and Williams Lake residential schools in 1890. Thirty years later – after rising tensions, increased settlement, and a 1918 Spanish Flu
epidemic – the Act made it illegal for “Indians” to raise money or hire lawyers to pursue land claims.

First Nations resisted these policies throughout. Nevertheless, due to those policies, epidemics, receding land bases, missionary activity by people like Father Morice – after whom much of the infrastructure remains named on the disputed lands – and other factors, the B.C. First Nations population reached its historical lowest point in the 1920s.

In the subsequent decades, government relaxed the most stringent bans. By 1951, “Indians” could once again fish commercially, conduct Feasts, and pursue land claims. First Nations kept organizing and looking for ways to assert land rights many had never ceded through treaty or willful surrender.

Pierre Trudeau’s government released the White Paper in 1969. The Union of British Columbia Indian Chiefs was formed in response. A decade later, chiefs and Elders from B.C. sent a delegation to England to lobby for inclusion of Aboriginal rights in the repatriated Canadian Constitution.

They got what they wanted in the form of Section 35(1): “The existing aboriginal and treaty rights of the aboriginal peoples of Canada are hereby
recognized and affirmed.”

The ink was barely dry on that 1982 document when the Gitxsan and Wet’suwet’en hereditary chiefs decided they were going to take their fight into the courts.

Prior to Delgamuukw-Gisday’wa, no one knew for certain what Section 35 meant.

Yagalahl was the vice president of the Gitx- san-Wet’suwet’en Tribal Council when the evidence gathering began in the mid ‘80s. Both nations had not yet set up the individual offices they maintain today.

“The chiefs – when they were talking about this case that was going to be happening – they had decided that I was going to work with the chiefs as part of a liaison team, that was called the litigation team, to work with the lawyers, and mainly work with the Wet’suwet’en,” she says.

“Even though I’m Gitxsan, I speak Wet’suwet’en, and I know so many of the Wet’suwet’en. I worked with them mainly in them selecting their witnesses that were going to be on the stand. It was a very, very interesting process where the chiefs really showed me what they mean by respect. You know? They respected one another when they were doing their selection of the witnesses that were going to take the stand.”

The Houses met regularly to discuss strategy and goals.

“Everything that we did was strategic. When we were doing blockades, we were very, very clear about what we wanted to accomplish with it. And we were also clear when we were in a position where we weren’t going to serve our own purpose [through blockades] then we would back out of the way but just kept the pressure on,” says Satsan.

They knew “the last place we’ve got to go is the courts,” and they prepared for it.

“So, as we were doing all this the evidence gathering was happening, the research was happening to prepare for a title action, and ultimately that’s what our people agreed to do. And so we prepared our case and our argument and we went into the court system.”

No one knew for certain what they were getting themselves into when they stepped into a Smithers courtroom on May 11, 1987 – where the chiefs, lawyers, and elders would be handed a stinging defeat four years later.

Tears were shed after that. But there were also moments of humour and joy.

Gitxsan and Wet’suwet’en laws came into conflict with Canadian laws in a monumental case for which there was no real precedent.

But for Yagalahl, even when they lost, they won.

Once all was said and done, the histories of their peoples were written.

“It was quite an experience that I will always
never, never regret,” she says.

“If I had to do it again, I’d choose to do it.”

A Tribe Called Red to headline 2020 Rhythm of the People Music & Arts Festival

Legendary DJ collective A Tribe Called Red

The Indigenous resilience in Music announced more headlines for the 4-day Rhythm of the People Music & Arts Festival, and Multi-Stream Program initiatives for 2020. The festival, which embodies reconciliation will take place in Calgary on August 13 -16th. Joining A Tribe Called Red on the bill are Soccer Mommy, Quinn Christopherson, CITIZEN, and more.

Indigenous Resilience in Music (IRIM) has also just announced their most anticipated programming to date, the renewed Rhythm of the People. Throughout 2020, this will unfold through three programs: a creative artist residency program focused on language revitalization, a youth music program hosted in Treaty 7 communities, and a music and arts festival housed at Studio Bell, home of the National Music Centre.

“IRIM is really focussed on building relationships, assisting Indigenous musicians in creating platforms that they can access, and creating better representation of Indigenous peoples in music and the arts,” expressed Curtis Running-Rabbit Lefthand, Executive Artistic Director of Indigenous Resilience in Music. “Currently we’re doing that through the Rhythm of the People Music & Arts festival that highlights Indigenous and non-Indigenous musicians, and the positive relationships we can have together in a community.”

“The National Music Centre is thrilled to partner with IRIM on the multi-stream Rhythm of the People initiative and to provide a space for Indigenous voices to be amplified and recognized,” said Andrew Mosker, President and CEO of NMC. “This partnership is part of NMC’s ongoing commitment to presenting programs that foster reconciliation here in Treaty 7 and across the country.

The Rhythm of the People Music & Arts Festival is determined to embody reconciliation and building positive relationships, as the 4-day fest will be showcasing Indigenous and non-Indigenous musicians spanning across several genres. As previously announced, founders of electric pow-wow A Tribe Called Red are set to play the fest. Joining them will be grunge-wave sensation Soccer Mommy, award-winning Athabas- kan/Inupiaq songwriter Quinn Christopherson, post-hardcore standalone CITIZEN, to name a few. There will also be a major visual arts aspect to this festival curated in partnership with TRUCK Contemporary Art, creating a decolonized arts space. This all will be taking place on August 13-16, 2020, festival passes are already on sale. Second-wave artist announcement will be on May 4, 2020, and all announcements leading up to the festival can be found on IRIM’s socials, Rhythm of the People socials, and website: https://www.irim.ca/festival

The Rhythm of the People Artist Residency focuses on the revitalization of Indigenous languages through song. Taking place from May 4-17, the chosen resident artist(s) will learn (or expand on what they know of) their ancestral language from a knowledge keeper. In the process, they will realize, write, and record music using only this language, and any kind of instruments they require. Once the residency is complete, IRIM will honour the hard work of the resident artist through a fully engineered, mastered, and produced vinyl record of their new music. The program will end with an invitation for the artist(s) to perform during the Rhythm of the People – Music & Arts Festival. https://www.irim.ca/artistresidency

The Rhythm of the People Youth Program is dedicated to empowering youth musicians. IRIM will mentor and guide Indigenous youth to write and record one original song in a professional music studio setting. As an extension to this process, participants will plan and execute the production of a music video that will support the original song created. After the program is completed, the community and Indigenous youth will be invited to perform their written original song at our Rhythm of the People — Music & Arts Festival. This year, the Youth program will take place in these Treaty 7 nations from June – July 2020: Siksika Nation, and Tsuut’inaNation. https://www.irim. ca/youthprogram

IRIM is an Indigenous-led organization with a mandate to create space for Indigenous musicians and support them in mentoring Indigenous youth through music. The organization provides a space for Indigenous youth to reclaim their identity through workshops and artist residencies and a platform for Indigenous musicians to showcase their work.

Gabriel Dumont Institute 40th Anniversary

The Gabriel Dumont Institute is celebrating its 40th year in 2020. This milestone was the focus of a 2-day cultural celebration held February 7th and 8th in Saskatoon.  The event was preceded by a special ceremony at which 20 students received the Order of Gabriel Dumont – Bronze Medal following a keynote address from Duane Favel, a SUNTEP grad and current Mayor of Île-à-la-Crosse, SK.  The Order of Gabriel Dumont Bronze Medal honours GDI students and alumni who have distinguished themselves through leadership, community involvement, and overall performance.

“The Order of Gabriel Dumont is awarded by the Gabriel Dumont Institute to persons who have distinguished themselves with outstanding service to the Métis of Canada,” said Geordy McCaffrey, GDI executive director. “It is one of the Métis Nation’s highest civilian honours, awarded to Métis and non-Métis individuals based on their achievements and lifetime contributions.”

Silver and Gold medal recipients were invested at the evening gala held February 7th.  Silver medal recipients were Glenn Lafleur and Norma Welsh. The Order of Gabriel Dumont Silver Medal honours those who have made significant contributions to the Métis.  Gold medal recipients included Jean Baptiste (John) Arcand, Clément (Clem) Chartier, and Lawrence J. Barkwell (Posthumous.) The Order of Gabriel Dumont Gold Medal recognizes lifetime of outstanding service to the Métis of Canada.  The honorees were celebrated with the music of a cadre of talented Métis performers which included John Arcand, Donny Parenteau, Jess Lee, Lucas Welsh, Tristen Durocher, Tahnis Cunningham, Angela Rancourt and Julianna Parenteau. They delivered a delightfully entertaining showcase at the gala.

The conference was highlighted with keynote addresses from renowned author, playwright, and activist Maria Campbell on Friday, and on Saturday from Jesse Thistle, researcher and author of his best-selling memoir, “From the Ashes.”  Their powerful keynotes were followed with over fifty break-out workshops and presentations that fit with GDI’s cultural and education mandate. These varied from hands-on workshops such as beading, finger weaving, embroidery, Red River cart building, jigging, and square dancing, to presentations by Métis researchers, academics, and knowledge keepers.

In its 40 years, GDI has provided over 1300 students with Bachelor of Education degrees, established services in 11 communities and created partnerships with the universities in Saskatoon and Regina, Saskatchewan Polytechnic, and the regional colleges. The Institute is the largest employer of Métis people in the province. 

“It’s pretty impressive to think about the impact we’ve had on Saskatchewan and the number of people we’ve trained.  Seeing alumni and all the people from the community who have supported GDI and recognized the importance of having a Métis controlled institution is overwhelming,” said McCaffrey. 

More about the conference can be seen at: https://gdins.org/gabriel-dumont-institute-celebrates-40th-anniversary-2/ 

Order of Gabriel Dumont Bronze Medal Recipients. Photo by Peter Beszterda, © Gabriel Dumont Institute.
Sophie McDougall, Maria Campbell, and Doris McDougall. Photo by Peter Beszterda, © Gabriel Dumont Institute.
Samson Lamontagne and Lyla Phillips presenting Michif Basics. Photo by Peter Beszterda, © Gabriel Dumont Institute.
Scott Duffee (middle) teaching finger weaving. Photo by Peter Beszterda, © Gabriel Dumont Institute.
Angela Rancourt performing with Donny Parenteau and band. Photo by Peter Beszterda, © Gabriel Dumont Institute.
Jess Lee and Tristen Durocher. Photo by Donna Heimbecker, © Gabriel Dumont Institute.
Warren Cariou, Greg Scofield, Maria Campbell, and Christi Belcourt. Photo by Donna Heimbecker, © Gabriel Dumont Institute.
Audience for a presentation by Darren Prefontaine on Métis Road Allowances. Photo by Donna Heimbecker, © Gabriel Dumont Institute.
Leah Dorion presenting on Métis Ribbon Skirt Teachings. Photo by Donna Heimbecker, © Gabriel Dumont Institute.
Amy Briley and Greg Scofield leading a learn to bead session. Photo by Donna Heimbecker, © Gabriel Dumont Institute.
Ashley Smith being presented an Order of Gabriel Dumont Bronze Award. Photo by Julie Labrecque, © Gabriel Dumont Institute.
Gold and Silver Order of Gabriel Dumont Awards. Photo by Julie Labrecque, © Gabriel Dumont Institute.
Geordy McCaffrey, Norma Welsh, and Earl Cook. Photo by Julie Labrecque, © Gabriel Dumont Institute.
Tristen Durocher performs as the crowd joins in to jig. Photo by Julie Labrecque, © Gabriel Dumont Institute.

BC Nurses’ Union is Committed to Reconciliation

We recognize that First Nations, Inuit and Métis experience disproportionate levels of social, economic, political, and cultural challenges in our province and across the country. These challenges are rooted in colonialism, residential schools, racialization and a political process that has failed to meet the needs of Indigenous peoples.

The BC Nurses’ Union (BCNU) is committed to a genuine and just process of reconciliation based on the calls to action published by the Truth and Reconciliation Commission of Canada.

In the Workplace

As nurses, we are uniquely placed to advocate for the dismantling of systems of oppression, because every day we see how the health and wellbeing of individuals and communities are negatively impacted.

The nursing community can support the calls to action through advocating for: funding of Indigenous healing centres; recognition of the value of Indigenous healing practices; encouragement of government to recruit and retain more Indigenous health care professionals; and, nursing school requirement of all students to take a course in Indigenous health issues.

The delivery of health care should be undertaken in a way that is respectful of Indigenous cultures. It is essential that nurses have a strong foundational knowledge of Indigenous health issues in the context of colonialism, social determinants of health (such as housing, education, food and water security), and current policies and legislation that directly affect the health of Indigenous peoples.

We are responsible and accountable for creating a culture of safety and humility in our relationships with Indigenous people and co-workers. We must take our role in the delivery of direct patient care seriously and use this opportunity to change the status quo.

In our Union

To provide opportunities for Indigenous voices to be heard in the BCNU governance structure, we supported the formation of the Indigenous Leadership Circle (ILC) in 2005. The work of the ILC is to help advance Indigenous health status outcomes and to contribute to creating a more culturally fluent organization.
As a union, we will continue to foster cultural safety and humility by supporting on-going education and raising awareness, both with our members and external partners, of issues vital to the health and well-being of Indigenous peoples.

Christine Sorensen
President, BC Nurses’ Union

Outstanding BC First Nations artists celebrated with Fulmer Award

VANCOUVER – The BC Achievement Foundation (BCAF) celebrated the six recipients of the Fulmer Award in BC First Nations at The Roundhouse.

The recipients were recognized for their artistic excellence in traditional, contemporary or media art at the 13th annual awards in First Nations Art celebration on November 21, 2019.

“BC Achievement is honoured to showcase these artists whose respect for tradition directs and inspires their creative practices,” said BCAF chair Anne Giardini. “The 2019 awardees join 73 artists from the program’s past 13 years. Together, Fulmer Award alumni ensure British Columbia is a place filled with innovation and wonder,” she added.

In addition, Marianne Nicolson, Musgamakw Dzawada̱’enux̱w, received the 2019 Fulmer Award of Distinction which recognizes individuals who have made a profound contribution to their First Nations culture.

Gus Denny Cook
Victoria

Gus Cook is a respected repoussé and chasing artist from the Namgis
community, which is part of Kwakwaka’wakw nation. Repoussé and chasing are ancient techniques which involve forms of sculpting 3-D pieces out of flat sheet metal by hammering both sides of the metal. From a young age, Gus was encouraged by his mother and father to work hard, be proud and take care of his surroundings. Mentored closely by his brother and fellow artist Rande Cook, Gus has combined skill and artistry with his work ethic, to create beautiful jewellery, frontlets, rattles, spoons and plates.


Henry Green
Wii Gwinaalth
Prince Rupert

Tsm’syen artist Wii Gwinaalth, (Henry Green), has an extensive record of multidisciplinary practices in a variety of mediums and has been involved in local and international exhibitions. Henry’s art embodies a spiritual process and his work is guided by blending Tsm’syen mythology with historical, ideological and modern references. He credits Haida artists Freda Diesing and her nephew, Don Yeomans, for stimulating his interest in the arts and in woodcarving. Henry’s artistic practice includes the training of over 400 apprentices and mentoring many young artists, therefore ensuring the continuance of Tsm’syen cultural knowledge and traditions for future generations.


Maynard Johnny, Jr.
Vancouver

Coast Salish artist, Maynard Johnny Jr., has been drawing portraits of his family and replicating comics since early childhood. His exploration of First Nations Art began at age 17 when he designed and created his first painting on a sevenfoot by three-foot door skin panel. Primarily self-taught, Maynard has been influenced by accomplished artists and has expanded his reach significantly, designing logo and identity pieces for organizations, movie sets and television series. An internationally recognized artist, Maynard’s work continues to share the beauty of Coast Salish art through graphic painting, wood, glass, large metal sculptures and precious metals.


Doreen Manuel
Canǂupka Kakin
North Vancouver

A member of the Neskonlith First Nation, Doreen learned traditional beading from her grandmother. Her mother was also an intricate bead artist who taught Doreen that she should learn to bead well so she could use her work, when necessary, to provide for her family. Now Doreen beads for her love of the art, carrying on the legacy of her traditions with future generations. Doreen is the sixth child of Grand Chief Dr. George Manuel and spiritual leader Marceline Manuel and comes from a long line of Indigenous oral historians and storytellers.


Michelle Stoney
Delgamaas from the house of Delgamuukw
Hazelton

The recipient of this year’s Crabtree McLennan Emerging Artist Award, Michelle Stoney incorporates the traditions of her two distinct First Nations cultures: form line from her Gitxsan heritage and bright colours with black outlines from her Cree heritage. Recently painted murals in her hometown of Hazleton, as well as in Terrace and Vancouver reflect Michelle’s innovative painting style as well as her goal to create unique First Nations art. In addition, Michelle has been learning the fundamentals of jewelry-making from established artists and contributing positively to the future of First Nations Art.


Marianne Nicolson
‘Tayagila’ogwa
Victoria

Marianne is a well-known mixed media artist who utilizes painting, photography, mixed-media, sculpture, and installation to create modern depictions of traditional Kwakwaka’wakw concepts. As an artist of Musgamakw Dzawada’enuxw First Nations descent, Marianne’s training encompasses both traditional Kwakwaka’wakw forms and culture and
Western European based art practice. She has exhibited widely in Canada and throughout the world since 1992 and has been vocal on issues of Aboriginal histories and politics arising from a passionate involvement in cultural revitalization and sustainability. Her work, A Lament for National Histories, questions the status of international agreements/treaties and the land jurisdiction these agreements reflect.

The 2019 CODE Burt Award for First Nations, Inuit, and Métis Young Adult Literature

To celebrate and to honour the United Nations International Year of Indigenous Languages, CODE is proud to announce the shortlist in the new Indigenous language award category for young adult fiction. This is part of the CODE Burt Award for First Nations, Inuit, and Métis Young Adult Literature.

This is the first-ever Indigenous language award for young adult literature in Canada. The shortlisted titles in alphabetical order include:

– Inconvenient Skin by Shane Koyczan, written in English and Cree with translation by
Soloman Ratt. Illustrations by Joseph M. Sanchez, Jim Logan, Kent Monkman, and Nadya Kwandibens. Published by Theytus Books.
– Those Who Run in the Sky by Aviaq Johnston, translated into Inuktitut by Blandina Tulugarjuk. Illustrations by Toma Feizo Gas. Published by Inhabit Media.
– Three Feathers by Richard Van Camp, translated into South Slavey by Doris Camsell.
Illustrations by K. Mateus. Published by Highwater Press an imprint of Portage and Main.

The English language shortlisted titles in alphabetical order are:
The Case of Windy Lake by Michael Hutchinson. Published by Second Story Press.
– Moccasin Square Gardens by Richard Van Camp. Published by
Douglas & McIntyre.
– Those Who Dwell Below by Aviaq Johnston, illustrations by Toma Feizo Gas. Published by Inhabit Media.

The shortlist was compiled by six Indigenous jury members who have extensive knowledge and understanding of young adult literature, literacy, education, and publishing. “This was an exciting mix of stories “from the past” that are still relevant for today’s reader along with more contemporary stories. We were wowed by the extraordinary writing, engaging content, and powerful life lessons.”

“CODE is thrilled to be able to share the 2019 shortlisted titles. Indigenous language revitalization is a powerful goal that elevates the important link between language, development, and reconciliation,” said Scott Walter, Executive Director, CODE.
The winning books will be announced in 2020. The Indigenous language award winner and translator will share the prize of $6,000.00. The English language winner will receive $6,000 and the Honour prize is $3,000.00 with the third English language book receiving the Honourable mention.
Publishers of the awarded books will be offered a guaranteed purchase of up to 2,500 copies. These books are then distributed to schools, libraries, community and friendships centres across Canada. This guaranteed purchase, combined with a book distribution program, is what makes this award program unique. It ensures that great books make it into the hands of young readers who need them the most, with new titles coming out every year!

Inconvenient Skin
by Shane L. Koyczan
Translation into Cree by Soloman Ratt
Published by Theytus Books
Artwork:
Joseph M. Sanchez (Illustrations),
Jim Logan (Illustrations),
Kent Monkman (Contributor),
Nadya Kwandibens (Photographs)

Inconvenient Skin is a collection of poetry written in English and translated into Cree. The poems aim to unpack the challenges of the dark side of Canada’s history and to clean the wounds so the nation can finally heal. Powerful and thought-provoking, this collection will draw you in and make you reconsider Canada’s colonial legacy. The cover features the art of Kent Monkman, and the interior features work by Joseph Sanchez, a member of the Indian Group of Seven.


Three Feathers
by Richard Van Camp,
translated into South Slavey by Doris Camsell.
Illustrations by K. Mateus.
Published by Highwater Press an imprint of Portage and Main.

Three Feathers explores the power and grace of restorative justice in one Northern community and the cultural legacy that can empower future generations. Written in English and translated into South Slavey by Doris Camsell, Three Feathers tells the story of three young men—Flinch, Bryce, and Rupert who have vandalized their community and are sent by its Elders to live nine months on the land as part of the circle sentencing process. There, the young men learn to take responsibility for their actions and acquire the humility required to return home. But, when they do return, will they be forgiven for what they’ve done?


Those Who Dwell Below
By Aviaq Johnston
Toma Feizo Gas (Illustrator)
Published by Inhabit Media

Those Who Dwell Below is the exciting sequel to Those Who Run in the Sky. Haunted by the vicious creatures of his recent past, Pitu tries to go back to a normal life at home after the other-worldly travels and near-death encounters of his recent disappearance into the world of the spirits. But Pitu knows that there is more work to be done, and more that he must learn in his new role as a shaman.


The Case of Windy Lake
By Michael Hutchinson
Published by Second Story Press

The Case of Windy Lake Book 1 in The Mighty Muskrats Mystery Series The Mighty Muskrats won’t let a mystery go unsolved!
Sam, Otter, Atim, and Chickadee are four inseparable cousins growing up on the Windy Lake First Nation. Nicknamed the Mighty Muskrats for their habit of laughing, fighting, and exploring together, the cousins find that each new adventure adds to their reputation.


Those Who Run in the Sky
by Aviaq Johnston,
translated into Inuktitut by Blandina Tulugarjuk.
Illustrations by Toma Feizo Gas.
Published by Inhabit Media.

Those Who Run in the Sky is a coming-of-age story that follows Pitu, a young shaman who finds himself lost in the world of the spirits. After a strange and violent blizzard leaves Pitu stranded on the sea ice, without his dog team or any weapons to defend himself, he soon realizes that he is no longer in the world that he once knew. The storm has carried him into the world of the spirits, a world populated with terrifying creatures.

Pitu must master all of his shamanic powers to make his way back to the world of the living, to his family, and to the girl that he loves.

Update on Speech from the Throne – National Chief Perry Bellegarde

On December 5, 2019, Her Excellency the Right Honourable Julie Payette, Governor General of Canada, delivered the Speech from the Throne to open the 43rd session of Parliament and outline the Government’s agenda.

The Speech included, for the first time, a specific section on Indigenous commitments entitled “Walking the Road to Reconciliation.” The section – and other parts of the speech – mirrored many of the priorities set out in the AFN’s Honouring Promises advocacy document, issued prior to the 2019 federal election. The commitments include:

  • action on climate change, including a commitment to the target of achieving net-zero emissions by 2050;
  • action to co-develop and introduce legislation to implement the United Nations Declaration on the Rights of Indigenous Peoples in the first year of the new mandate;
  • new steps to ensure the Government is living up to the spirit and intent of Treaties, agreements, and other constructive arrangements made with Indigenous Peoples;
  • continuing work on safe drinking water and eliminating all long-term drinking water advisories by 2021;
  • implementation of the Truth and Reconciliation Commission’s Calls to Action and the Calls for Justice of the National Inquiry into Missing and Murdered Indigenous Women and Girls;
  • a promise to close the gap in infrastructure by 2030;
  • continue to invest in Indigenous priorities, in collaboration with Indigenous partners; and,
  • ensure that Indigenous children and youth who were harmed under the discriminatory child welfare system are compensated in a way that is both fair and timely

All of these commitments are important and, where necessary, we will work to get more details on next steps and ensure that First Nations are involved in initiatives that have potential to affect our lands, our lives and our rights.

I am encouraged by many of these commitments. First Nations declared a climate emergency in 2019 and there are many resolutions over the years calling for action on climate destruction. We are the first to feel the impacts, and we are first in leading the way to a cleaner, greener environment and economy. We must be directly involved in developing and implementing Canada’s climate plan.

Legislation on the UN Declaration on the Rights of Indigenous Peoples is a top priority. It will guide our work in so many other important areas. It is unfinished business from the last Parliament. The Liberals, NDP, the Green Party and the Bloc Quebecois committed to it in their campaigns so there is a majority support for legislation. We will get it done. We are already working with all parties in the House of Commons to advance this initiative. Advancing our rights is paramount. We will move on the critical work of giving life to the spirit and intent of the Treaties and our original nation-to-nation relationship of partnership, respect, mutual recognition and sharing.

The commitment on child welfare is something we will watch closely. We want to see a related commitment from Canada to honour the rulings of the Human Rights Tribunal. We will push the government for full support and resources to implement the laws that impact the well-being of our children – the Indigenous Languages Act and the Indigenous Child Welfare Act.  A distinct First Nations approach, as determined by Rights Holders, to implement Bill C92 is the only approach that respects the Inherent Right of First Nations over children and families.

The Throne Speech highlighted some of the past successes of the government, many of which are the result of strong leadership and advocacy by First Nations. These include the elimination of 87 long-term drinking water advisories, more equitable funding for First Nations K-12 education, and the completion of the National Inquiry into Missing and Murdered Indigenous Women and Girls. I commend you for your leadership, support and advocacy.

The AFN outlined its priorities Honouring Promises, which can be found here.

As National Chief, I look forward to working with you as we maintain momentum and progress on an ambitious agenda to make a stronger country for all of us through the implementation of First Nations rights, title, Treaties and jurisdiction.