Topic: Today’s News

Métis meaning in a modern world UCalgary celebrates Métis Week with series of virtual events Nov. 15-19

As a Métis growing up in inner-city Winnipeg, Daniel Voth is used to being asked about his cultural heritage and identity. Often, people inquire what percentage of Indigenous blood he has — as if an entire culture is confined to his genetic code. 

“We don’t say that someone is one-eighth Cree. We do still say that about Métis,” said Voth, a political science associate professor and director of the International Indigenous Studies program. 

  • Photo above: Calgary from across Bow River 1880 – 1900. Library and Archives Canada photo

Métis are recognized as a distinct Indigenous nation in Canada, with a distinct cultural belief system, political structure, history, and Indigenous language, called Michif. Saying Métis culture is born of their experience as an intersection between First Nations and also non-Indigenous communities is the smallest of iceberg tips, and true of many Indigenous Peoples. The perception that Métis is only the blending of other cultures is a lingering effect of government labels and ultimately the bureaucratic need to control Indigenous people, says Voth. 

“The Métis people are a definable political entity that are more than just the sum of their parts,” he says. “From the Lake of the Woods to the Foothills of the Rocky Mountains, there is a uniqueness to being Métisin the prairies. There’s a language that never existed before. It’s about the emergence of a self-determining people who persist today.”

Each year, Alberta celebrates Métis Week. It’s held in mid-November to mark the execution of Métis leader Louis Riel, who led the Red River and North-West resistances. For many, Louis Riel is the only thing they know about Métis history. 

“He’s important, but he’s not the only one we should be paying attention to. There is a rich Métis tradition of art, politics, culture that goes beyond just one person,” says Voth.

Voth points out that it is often the women within Métis communities who are overlooked in the context of history, with the majority of the focus on Riel, Gabrielle Dumont, and male figures prominent in Métis history. Voth’s research looks at the Métis and other Indigenous women who forged a connection to the land, women whose relationships with First Nations communities created a vibrant network linking Métis and other Indigenous Peoples. That gap in research and understanding is what intrigues Voth. 

In his classes, as his students seek to reconcile Métis past wisdom within present Métis context, Voth is inspired by the future he sees unfolding before him. 

“The University of Calgary has more Indigenous people wanting to do graduate work all the time. Undergraduate Indigenous students from here and all over Canada want to study here,” said Both.

“We are training the next generation of Métis scholars. They’re going to say, ‘Voth had some things right, but he completely missed out on this whole area.’ It’s like a snowball rolling down a hill, we cannot stop it and it just keeps gaining momentum. It’s exciting.”

As part of Alberta’s Métis Week celebrations Nov. 15 to 21, the University of Calgary and its partners are hosting a series of online events and engaging conversations. 

The contours of Métis territoriality
Nov. 12, 6:30 p.m. 

The two prairie poles that we now call Winnipeg and Calgary were separated by more than distance in the 19th century. Winnipeg, or Red River, was the centre of the Métis Nation’s political and economic power. Calgary, or Moh’kins’tsis, was part of the Blackfoot Confederacy. While Métis and Blackfoot people could be found in both of these places, that may not mean both places are Métis or Blackfoot territory. Through this presentation, Daniel Voth will argue that we can learn a great deal about the contours of Indigenous identity and how those identities are linked to territory by studying the conflicts among Indigenous people(s). 

Strengthening community in uncertain times

Nov. 12, 10 a.m. – 12:30 p.m. 

Nov. 13, 9:30 – 11 a.m.

Community Conversations is a virtual event to discuss challenging community issues to strengthen relationships during uncertain times. It will explore the following interconnected themes:

  • Response, recovery and resilience in the age of COVID-19
  • Equity, diversity and inclusion: How has systemic racism impacted racialized communities?
  • Socio-economic challenges facing our communities

Attendees will have the opportunity to participate in meaningful dialogue, learn from community and academic experts on a diverse range of social issues, and explore resources and supports for working collaboratively within shared spaces.

Indigenous Knowledge Public Lecture Series: Maria Campbell
Nov. 17, noon

Explore Maria Campbell’s perspective as a Métis Elder on our path toward transformative reconciliation. The renowned author, playwright, broadcaster and filmmaker will share her insights and wisdom as part of the ii’ taa’poh’to’p’s Indigenous Knowledge Public Lecture Series. These webinars are meant to highlight Indigenous leaders, scholars, artists and knowledge keepers and to spark key community conversations as we all work together to increase intercultural capacity and build good relations through awareness and knowledge.

Digital storytelling: A conversation on cultural retention
Nov. 19, 5 p.m.

Hosted by Rupertsland Institute: Métis Centre of Excellence and Fishing Lake Métis Settlement, join in a conversation on Métis culture, community and consideration to honour those who walked before us.

ii’ taa’poh’to’p, the University of Calgary’s Indigenous Strategy, is a commitment to deep evolutionary transformation by reimagining ways of knowing, doing, connecting and being. Walking parallel paths together, ‘in a good way,’ with meaningful and authentic engagement for all, UCalgary is moving toward genuine reconciliation and Indigenization.

STORIES FROM THE LAND

CBC’s Absolutely Canadian presents a broadcast sneak-peek of the 
documentary short film series, November 14 on CBC and CBC Gem

Stories From the Land, a podcast dedicated to Indigenous storytelling, has been adapted into a documentary series by Wanderer Entertainment Inc. for CBC Short Docs. The first two episodes in a planned four part series, will have a special “sneak-peek” broadcast on CBC’s Absolutely Canadian on Saturday, November 14, at 8 p.m. ET in Ontario, and on the free CBC Gem streaming service. The complete four part series will be available on CBC Gem in early 2021. 

Stories From The Land is narrated and hosted by Anishinaabe comedian Ryan McMahon. The series of short documentaries will pick up where the podcast stream ends, and reach across various communities to paint a picture of Indigenous identity. Each themed episode will be a collection of documentary vignettes of new stories, interviews and landscapes woven together by an inspired visual tapestry. Featuring music by DJ Shub from his new album “War Club”.

The broadcast on CBC’s Absolutely Canadian will offer a glimpse into the first two episodes: Corn Soup, filmed in Fort Erie, Ontario; and Last Fisherman, filmed in Fort Frances, Ontario. 

“It’s exciting to be working with CBC Short Docs on a project like this,” said Ryan McMahon. “It’s also great to see the podcast develop into a new medium. These stories are love letters to the places we are from.”

The Stories From the Land podcast series began in 2016 and is a collection of Indigenous stories over three seasons that features over 20 stories and storytellers. 

“The podcast was a tremendous jumping off point creatively and inspiration-wise for the doc-series. To know that we have a wealth of stories that have been curated, and to have tangible analytics that point toward which episodes could resonate is very valuable.” said Wendell G. Collier of Wanderer Entertainment Inc. “We’re exploring new stories to tell, with new communities but we know that we have many more in the pocket should we need.”

Ryan McMahon, is an Anishinaabe creative that jokes, talks, yells and writes for a living. A critically acclaimed comedian, writer, and producer, McMahon is also renowned for his podcast work. McMahon’s ‘Thunder Bay’ podcast, in partnership with Canadaland, was named in ‘Best of 2018’ lists by The Globe and Mail, CBC Podcasts, Apple Podcasts, Spotify, New York MagazineVultureand The Atlantic

Wanderer Entertainment Inc. is led by Wendell G. Collier, who is an industry leader with over 15 years experience in the television and digital media landscape with projects for Discovery Canada, History Channel, CBC, Food Network, HGTV and more. As an experienced filmmaker of Mi’kmaq descent, Wendell has created numerous films that strive to focus on current issues, cultural connections, and have a positive impact on the representation of Indigenous people in media. 

Stories From the Land was created with support from the Indigenous Screen Office/Netflix Indigenous Production Apprenticeship Program, the Canadian Media Fund, and CBC. 

CBC’s Absolutely Canadian is a one-hour series showcasing the best in independent regional documentary and independent filmmaking from across Canada. The program highlights diverse stories, through documentaries, comedy and dynamic musical acts, straight from Canadian communities. 

Stories From The Land on CBC Gem
Stories From The Land Podcast

Media Contact: Damien Nelson, damien@wantandable.ca

Wendell G. Collier and Ryan McMahon

Action Plan on Racism and Discrimination AFNQL LAUNCHES ITS FIRST WEBINAR ON THE THEME OF ALLIANCES MUNICIPALITIES-FIRST NATIONS

Wendake, November 11, 2020 – The Chief of the Assembly of First Nations Quebec-Labrador  (AFNQL), Ghislain Picard, invites the Quebec and Indigenous public to attend the first of a series  of webinars on the theme of the fight against racism and discrimination on November 12. Presented  in support of the process initiated by the AFNQL last October during the unveiling of its Action  Plan on Racism and Discrimination, this first edition will be devoted to issues specific to the  municipal environment. 

EVENT: ” ALLIANCES MUNICIPALITIES-FIRST NATIONS 
WHO: 

• Ghislain Picard, Chief of the Assembly of First Nations Quebec-Labrador 
• Monik Kistabish, Chief of the Abitibiwinni First Nation 
• Claire Bolduc, Prefect of the MRC du Témiscamingue 
• Mike Mckenzie, Chief of the Innu First Nation of Uashat mak Mani-utenam • Réjean Porlier, Mayor of Sept-Îles 
• Lisa Robinson, Chief of Wolf Lake First Nation 
• Pierre Corbeil, Mayor of Val-d’Or 
• Vicki-May Hamm, Mayor of Magog 

DATE: Thursday, November 12, 2020  TIME: 3:30 pm 

CONNECTION: ZOOM : https://cepn-fnec.zoom.us/j/87547111277  (simultaneous interpretation offered) 

About the AFNQL 

The Assembly of First Nations Quebec-Labrador is the regional political organization that brings  together 43 First Nations Chiefs in Quebec and Labrador. Follow the AFNQL on Twitter  @APNQL. 

Plan d’action de lutte sur le racisme et la discrimination L’APNQL LANCE SON PREMIER WEBINAIRE SOUS LE THÈME DES ALLIANCES MUNICIPALITÉS-PREMIÈRES NATIONS

Wendake, le 11 novembre 2020 – Le Chef de l’Assemblée des Premières Nations Québec Labrador (APNQL), Ghislain Picard, convie le public québécois et autochtone à assister, le 12  novembre prochain, au premier d’une série de webinaires sur le thème de la lutte au racisme et à  la discrimination. Présent.é en appui à la démarche initiée par l’APNQL en octobre dernier lors du  dévoilement de son Plan d’action sur le racisme et la discrimination, cette première édition sera  consacrée aux enjeux propres au milieu municipal.

ÉVÉNEMENT : « ALLIANCES MUNICIPALITÉS – PREMIÈRES NATIONS » QUI : 

• Ghislain Picard, Chef de l’Assemblée des Premières Nations Québec-Labrador 
• Monik Kistabish, Cheffe de la Première Nation Abitibiwinni 
• Claire Bolduc, Préfète de la MRC de Témiscamingue 
• Mike Mckenzie, Chef de la Première Nation Innue de Uashat mak Mani-utenam 
• Réjean Porlier, Maire de Sept-Îles 
• Lisa Robinson, Chef de la Première Nation de Wolf Lake 
• Pierre Corbeil, Maire de Val-d’Or • Vicki-May Hamm, Mairesse de Magog

DATE : Le jeudi 12 novembre 2020 
HEURE : 15h30
CONNEXION: ZOOM : https://cepn-fnec.zoom.us/j/87547111277 (interprétation  simultanée offerte)

À propos de l’APNQL 
L’Assemblée des Premières Nations Québec-Labrador est l’organisme régional politique qui  regroupe 43 chefs des Premières Nations au Québec et au Labrador. Suivez l’APNQL sur Twitter  @APNQL.

Remembrance Day message from President Lampe

Today we remember those brave men and women who have made the supreme sacrifice in defending our rights, our freedoms and our country.

Although Remembrance Day is observed to recall the end of the First World War in 1918 – when major hostilities were formally ended at the eleventh hour of the eleventh day of the eleventh month with the German signing of the Armistice Agreement – it is also held to remember those who fought in the Second World War, Korean Conflict, Afghanistan and other conflicts around the world.

November 11 is the day we remember all Canadians, Indigenous and non-Indigenous, who served our country. For Inuit and other indigenous peoples in Canada, November 8 is recognized as Aboriginal Veterans Day.

Indigenous people were exempt from conscription during the First and Second World Wars. They were not considered citizens of Canada and they did not have the right to vote.

However, some 4,000 Indigenous men, including Labrador Inuit, enlisted in the First World War and over 300 died. Another 20,000 volunteered for service in the Second World War and over 200 died. There are many others who served in conflicts since, and many more who continue to serve today.

As Labrador Inuit we should be proud of these brave men and women who helped shape this great country we live in – proud of the sacrifices they made, and proud of the legacy they have left behind.

To mark this day, I encourage all Beneficiaries, no matter where you live, to observe a minute of silence, beginning at 11 a.m. to honor those who sacrificed their lives so that we can enjoy the freedoms we have today.

Our 2020 Holiday Card Contest is open for Indigenous Youth in B.C.

Hello,

We would like to let you know that our annual Holiday Card Contest is now open! 

We are looking for young, Indigenous artists ages 5-12 years old to submit their holiday-related themed original artwork that will be used for the 2020 FPCC Holiday Card.

We encourage you to share your culture, traditions, language, community and family through your artwork. A variety of art formats are accepted. This includes the use of crayons, pencils, pastels, wood, paints or digital design.

Artwork Submission Requirements

  • Original artwork piece in the form of drawing, sketch or painting
  • Landscape format
  • 5×7 size or a related ratio, maximum 10×14
  • Artist’s name on the back of the artwork

Please note that original artwork pieces will not be returned to applicants.

Deadline: Wednesday November 18, 2020

The top finalists’ artwork will be featured on FPCC’s 2020 Holiday Card that will be sent to FPCC’s friends, family, partners, colleagues and other networks.

The top three finalists will be awarded PRIZES!

Contest results will be announced in December, so keep an eye on our social media pages.

How to Apply: 
For the PDF application, click here
For the Online Application, click here

Complete the PDF application form or online application and mail in your artwork on or before November 18 to the First Peoples’ Cultural Council office.

Attention: Shireen Banaee 
First Peoples’ Cultural Council 
1A Boat Ramp Road 
Brentwood Bay, B.C. 
V8M 1N9

Please share this opportunity with your community by downloading the contest poster here.

For more information, see our web story.

We are here to help!
If you have any questions, email Shireen Banaee at shireen@fpcc.ca.

Pishshapmishko,
Shireen Banaee 
Communications Officer

NDIGENOUS FASHION WEEK TORONTO (IFWTO) ANNOUNCES FESTIVAL LINEUP AND MARKETPLACE PARTICIPANTS

The biennial Indigenous Fashion Week Toronto (IFWTO), presented online November 26 – 29, 2020, announces the launch of a new website at IFWtoronto.com, and the curated lineup for the 2020 IFWTO Online Pop-up Marketplace

The IFWTO Online Pop-up Marketplace (Nov. 26 – 29) at IFWtoronto.shop will allow audiences to shop for fashion, craft and textiles from 40 limited edition Indigenous-made collections. Customers can shop from designers including: Indi City, Blu Hummingbird, Catherine Blackburn, Aylelum – The Good House of Design, Mad Aunty, Lesley Hampton, Tania Larsson, Running Fox Beads, Niio Perkins, and a spotlight on artists and designers from Northwestern Ontario.

In August 2020, IFWTO filmed four runway presentations featuring 16 designers at Harbourfront Centre in Toronto. The four short films will be screened each day of the Festival and are free to all audiences. Incorporating fashion, film, theatre and dance, the filmed runway presentations offer an intimate view of each garment from IFWTO designers including Lesley HamptonWarren Steven ScottMaru Creations, and Skawennati. The IFWTO films celebrate Indigenous-made fashion, craft and textiles, and share Indigenous visual narratives through material, movement, light and collaboration.

The four-day Festival will go live November 26 – 29 at IFWtoronto.com and include cinematically produced runway presentations, the IFWTO Marketplace, a preview of the digital art exhibition “A Thread That Never Breaks”, and a series of panel discussions co-presented with Ryerson School of Fashion called “Fashioning Resurgence”.

Indigenous Fashion Week Toronto is a multi-platform festival of the most distinct and progressive Indigenous-made fashion, craft and textiles, challenging mainstream perceptions of Indigenous people and culture, which are often stereotyped, commodified or exploited. IFWTO is led by majority Indigenous women, offering audiences an authentic, accessible opportunity to connect with Indigenous artists and celebrate cultural expression.
 

Indigenous Fashion Week Toronto
November 26 – 29, 2020
Online Runway Presentations: 7pm ET nightly, FREE

Day 1: Tu Gh’eh Nah (Water is Life)
Miss Chief Rocka / Mobilize / Jason Baerg / Section 35 / Skawennati

Day 2: Tu Cho (Lake) – Global Program
Maru Creations / Margaret Jacobs

Day 3: Tu Gh’eh Tl’e’th (Streams)
Warren Steven Scott / Curtis Oland / Indi City /
Evan Ducharme / Hand of Solomon

Day 4: Tu Gh’el T’ilhn (Water Carriers) – Women’s Program
Ay Lelum – The Good House of Design / Anne Mullaire /
Lesley Hampton / Celeste Pedri-Spade

Full IFWTO Schedule: 
https://ifwtoronto.com/festival-schedule/

@IFWToronto on Facebook • Twitter • Instagram

Media Contact: Damien Nelson, damien@wantandable.ca

Fifth Treaties Recognition Week sees new online treaty education resources in development

NISHINABEK NATION HEAD OFFICE (November 2, 2020) – Anishinabek Nation Grand Council Chief Glen Hare says that the Anishinabek Nation is still committed to treaty education in Ontario and is excited about the development of online treaty education resources that will become available in the new year. 

“We’ve been saying for years that treaty education, public education will help eliminate racism,” says Grand Council Chief Hare. “We’re supporting teachers and students by making our treaty kits into online resources so that they can still learn about First Nations and the treaty relationship while at home or in the classroom.” 

Treaty educator Kelly Crawford is working with Frame Sequence Photography to not only bring some of the “We are all Treaty People” teachers kit lesson plans to an online platform, but also will make the “Alex Shares his Wampum Belt” and “Dakota Talks about Treaties” connect to the Ontario curriculum and embark on co-learning journey. 

“In education, we are tasked with supporting the on-going growth and development of our students. I see a parallel here in regards to the teaching profession,” says Crawford. “The journey of understanding the treaty relationship and one’s role within it can be a collaborative journey with the teacher and the students. This is what we are trying to achieve with our new online treaty education resources. It’s okay to take that journey together and have clear discussions of the realities in which we live. Educators have a role in the story of the treaty relationship.” Minister of Indigenous Affairs Greg Rickford acknowledges the importance of treaty education. 

“I commend Anishinabek Nation’s ongoing work in promoting awareness and understanding of treaties and treaty relationships,” said Greg Rickford, Minister of Indigenous Affairs. “Encouraging education around treaties is an important way to help nurture and advance the vital relationship between Indigenous and non-Indigenous people.” 

The online treaty education resources will be available in spring of 2021. 

The Anishinabek Nation is a political advocate for 39 member First Nations across Ontario, representing approximately 65,000 citizens. The Anishinabek Nation is the oldest political organization in Ontario and can trace its roots back to the Confederacy of Three Fires, which existed long before European contact.

AFN National Chief Bellegarde welcomes emergency COVID funding for First Nations Early Learning and Child Care

(Ottawa, ON) – National Chief Perry Bellegarde of the Assembly of First Nations (AFN) welcomes Canada’s announcement of emergency funding for Indigenous Early Learning and Child Care (ELCC) to cope with the COVID-19 pandemic. Today’s announcement committed to investing approximately $70 million over the 2020-21 fiscal year to support First Nations ELCC providers to safely reopen and deliver programs and services for First Nations children and families during the pandemic.

“Today’s announcement acknowledges the important role that First Nations early learning and child care programs play in developing happy and healthy First Nations children. The pandemic has exacerbated systemic disadvantages for First Nations, making these programs that support our children’s wellbeing more important than ever. COVID-19 has complicated how programs are delivered, but the safety of the providers and participants has continued to be a top priority,” National Chief Bellegarde said. “This funding will help First Nations early learning and child care service providers adjust to the realities of COVID-19 and continue to deliver these important programs in a safe way.”

Manitoba Regional Chief Kevin Hart holds the Social Development portfolio at the AFN and says that the funding not only will help First Nations ELCC programs reopen safely when they are ready, but also recognizes the work they have done throughout the pandemic.

“We want to lift up the staff and management at our First Nations early learning and child care programs. They have done amazing work supporting our children and families during the pandemic,” Regional Chief Hart said. “This investment is a good first step to ensure that this work is recognized and can operate safely as many of our communities move into the second wave of this pandemic. I will continue to monitor the situation and advocate for more investments where they are needed to ensure the continued safety of our children and families.”

This investment comes in addition to the September 2020 Throne Speech, in which the federal government committed to creating a Canada-wide early learning and child care system.

“I will continue to speak up for the needs of First Nations children, families and early learning and child care providers, particularly as Canada moves to create a national early learning and child care system,” said National Chief Bellegarde. “We must ensure that First Nations are properly supported in a new national system for early learning and child care, and further that the distinct needs and priorities of First Nations are respected in this, which is especially important in the context of COVID-19.”

The AFN is the national organization representing First Nations citizens in Canada.  Follow AFN on Twitter @AFN_Updates.

Equinox Gallery presents Shawn Hunt’s The Beginning of Something to November 14th, 2020

Photo Courtesy of the Equinox Gallery

Equinox Gallery is very pleased to present The Beginning of Something, Shawn Hunt’s first  exhibition with the gallery. Shawn Hunt is a Heiltsuk artist born in Waglisla (Bella Bella), British  Columbia. His practice is directly informed by his First Nations, Scottish, and French backgrounds and the visual culture and traditions that accompany them. 

Hunt works with the traditional northwest coast design principle known as formline to create  abstract, surreal, and sculptural paintings based on ancestral Heiltsuk Cosmology. The formline  is an unbroken outline in traditional design employed to contain different motifs into figures and  patterning. Hunt’s work explores new ways of using this structure while still maintaining the  fundamental characteristics of the traditional formline. Creatures both human and animal, and  sometimes mythological, hide in both the positive and negative spaces created. His images are ever-changing, moving, morphing, transforming, and shapeshifting. In his paintings, Hunt  intertwines animal and human portraits set against a black backdrop as if the beings are being  swallowed by the night sky. 

I have never felt like I really belonged to any one particular movement,  culture, category, or clique. As an artist this has given me an incredible  amount of freedom. I don’t feel that my work is conceptual, traditional, artifact or craft. It is neither ancient nor modern. Instead, I feel as though my  work has elements of all of these categories. This is a freedom that allows me  to distort, subvert, hijack and remix these categories in order to offer new  points of view. I want to challenge the viewers’ preconceptions. I like the idea of art being like a catalyst, or a flash point. I think art is most powerful  when it poses questions, not when it gives the viewer the answers. My goal is  to make the viewer think. 
– Shawn Hunt 

Hunt very much sees his cedar carvings as sculptures which play a significantly different role  than a mask in that they allow him to expand on traditional mythologies and incorporate new  and unexpected elements. The scalloping seen throughout these sculptures represents feathers  and shows the process of transformation as it is taking place. The neck is based on the idea of a  totem pole; however, Shawn has only used abstract forms here, removing the hierarchical and  narrative elements that are normally seen in a totem pole. Hunt pushes the boundaries of the  art form, often combining non-traditional ideas with innovative uses of materials and motifs in  his work.

EQUINOX GALLERY 604.736.2405 t 3642 Commercial Street info@equinoxgallery.com Vancouver, BC V5N 4G2 www.equinoxgallery.com  

After graduating from the University of British Columbia, Vancouver, Canada, Shawn Hunt  apprenticed with his father, Bradley Hunt, a prominent Heiltsuk artist, for five years. Later he  apprenticed with Coast Salish painter Lawrence Paul Yuxweluptun from 2012 to 2015. Hunt’s  work has been exhibited throughout Canada, including solo shows at the Audain Art Museum,  Vancouver Art Gallery and the Burrard Arts Foundation. His work has also been featured in  many important group exhibitions both nationally and internationally, including Potlach 67-67 (Comox Art Gallery), Transformation Mask (Vancouver Art Gallery/ Museum of Anthropology),  Cultural Conflation (Richmond Art Gallery), Challenging Traditions (McMichael Canadian Art  Collection), Continuum (Bill Reid Gallery), Changing Hands: Art Without Reservation 2 (Museum  of Arts and Design, New York), and Bites Back (Art Labor Gallery, Shanghai). In 2011 Hunt was  awarded the BC Creative Achievement Award for First Nations’ Art.  

Shawn Hunt lives and works on the Sunshine Coast, BC.

Courtesy Equinox Gallery”